Mary Cassatt and Edgar Degas both influenced each other's work and challenged one another to try new techniques in their painting, though their relationship eventually soured for unclear reasons.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Comparing the impressionism of Monet and Cassatt

Claude Monet and Mary Cassatt were both Impressionists, but that's not all they had in common. This quick comparative analysis of Monet's "The Beach at Trouville" and Cassatt's "Little Girl in a Blue Armchair" shows how both paintings subtly comment on the class of their subjects.

Mary Cassatt helped establish the impressionists' legacy in the US by persuading wealthy patrons to collect their work.

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

Explore a timeline of Mary Cassatt's career

This collection from The Art Story situates Cassatt's major works chronologically and provides historical context, allowing you to see how her interactions with both the French Impressionists and Japanese printmaking influenced her work.

Mary Cassatt's 'The Child's Bath' was a rare sight for 19th-century art

Drs. Beth Harris and Steven Zucker note that this portrait of an intimate moment between mother and daughter might have been out of place in 1893, but that its subject matter alludes to spiritual images from the Renaissance or Baroque periods.

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

The impressionist painters—the 19th-century group that included Monet, Renoir, Cassatt, and more—got their name from a critic who used the term in a negative review, claiming they were unable to paint more realistic scenes.

Mary Cassatt's sister, Lydia, moved to Paris to manage her household so Mary could focus on her painting, a dynamic that inadvertently turned Lydia into her sister's muse.

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

How Cassatt experimented with the then-new medium of pastels

Cassatt is primarily noted for her paintings and prints, though she also experimented with pastels, a novel medium for the 19th century. Art scholar Marjorie Shelley walks through one of Cassatt's pastel works with a close analysis of 1914's "Mother and Child."

Cassatt participated in a fundraiser for women's suffrage against her family's wishes.

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

How Mary Cassatt pioneered printmaking

In 1890, the artist attended an exhibition in Paris featuring a vast collection of 725 Japanese woodblock prints. Inspired by the work, she told a friend she could not stop thinking about "color on copper," and eventually used a metal plate "intaglio" technique to execute her vision. This video recreates how she made it happen.

The frenemies who shaped Modern Art

Matisse and Picasso are two of the biggest names in Modern Art, with works that redefined the possibilities of painting in the 20th century. While they were often cast as rivals, this Artnet article highlights their more complicated relationship, which was somewhere between a friendship, a mentorship, and an ongoing competition.

See a collection of Mary Cassatt's artwork

The Metropolitan Museum of Art's digital collection includes 15 of Cassatt's works, including several iconic watercolors, like "Portrait of the Artist" and "Mother Playing with Child." Alongside them, you can read helpful contextual information assembled by Cassatt scholar H Barbara Weinberg.

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

Pierre-Auguste Renoir's 'Dance at Le Moulin de la Galette' is considered an impressionist masterpiece that captures the fleeting moments of working-class people at a beer hall.

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

Salvador Dalí and Coco Chanel bonded over art and fashion

In the late 1930s, Chanel hosted the eccentric artist to like and work in her home. Despite their differing styles, the two icons collaborated, and Chanel even inspired Dalí to mimic her perfume in his artwork.

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

Explore Mary Cassatt's colorful 'Set of 10' prints, inspired by her interest in Japanese woodblocking.

Arnold Schoenberg, a pioneer of modern music, and painter Wassily Kandinsky, a pioneer of abstract art, were close friends who inspired one another's work.

Picasso was a major influence on Jean-Michel Basquiat

Both Picasso and Basquiat are major figures of 20th-century art, with distinctive styles that flew in the face of the formalized standards of their respective times. Below is one of Basquiat's portraits of Picasso, who influenced the younger artist’s approach to form, from 1984.

Hear a quick but insightful analysis of Mary Cassatt's 'The Boating Party'

Karen Jackson travels to the National Gallery of Art in Washington, DC, to study an oil painting from 1893, walking listeners through a close reading of the canvas. Even if you can't make it to the museum, you can pull the image up and follow her guided analysis.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

Basquiat and Warhol were friends and collaborators before a bitter falling out

The two men were tight, but they also offered what the other lacked in the art world: Basquiat inspired Warhol, and Warhol gave Basquiat art-world credibility. They began working together, producing 160 collaborative works between 1983 and 1985. A 1985 exhibition of their joint works was a massive flop, though, and the friendship never recovered.

Picasso’s legacy is often intertwined with his personal relationships

Family revelations and quotes show the legendary artist as both tender and cruel, and his fame and romantic advances sometimes had disastrous effects on those around him.

Pablo Picasso's Blue Period, one of his most recognizable artistic eras, was inspired by the loss of his friend, Carles Casagemas.

Mary Cassatt was not a fan of Mother's Day

When Mother's Day was first proposed as a holiday in 1913, the American Impressionist opposed it, believing that women's suffrage was a far more important issue. The holiday was established by an act of Congress in 1915; Congress did not pass the 19th Amendment, which guaranteed women the right to vote, until 1919.

Jacques Louis David was a prime foil for the romantics

French painter Jacques Louis David was a defining figure of the neoclassical movement, using historical scenes and a polished sheen to present work that was as close to the real world as humanly possible. That made him an obvious foil for the romantics, who embraced raw feeling over accuracy.

Picasso was one of the 20th century's most influential artists

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

Picasso's 'Les Demoiselles d'Avignon' is seen as the start of cubism

The 1907 work rejects many of the art world norms of the time, like linear perspective and realistic depictions of light. Picasso's painting also nods to African masks, demonstrating a willingness to indulge in styles outside the Western canon.

Romanticism changed the norms of the artworld

Romanticism’s expressiveness led to a change in the norms of portrait painting, favoring emotion, nuance, and less conventional subjects. One such example is Géricault’s portraits of mental illness, depicting patients, including a kleptomaniac and a “child snatcher,” in states of expressive emotion.

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Picasso is known as one of the creators of cubism

In the early 1900s, cubism redefined modern art by breaking objects into geometric shapes and showing multiple perspectives at once. Developed by Pablo Picasso and Georges Braque, it challenged the idea that art should mirror reality, and laid the foundation for many movements that followed.

A profile of Dickinson's ambiguous but close relationship with Susan Gilbert

Gilbert met Dickinson in 1850, and the two women quickly became very close, with Dickinson often pining for Gilbert in letters. In this essay, critic Maria Popova calls the relationship "beautiful, heartbreaking, unclassifiable," and details how it came to inspire Dickinson's writing, even after Gilbert married Dickinson's brother.

Basquiat impressed Warhol by quickly painting a picture of the two men

After Jean-Michel Basquiat was introduced to Andy Warhol in 1982, Warhol took a Polaroid photo of the two of them, and Basquiat ran home (about a mile and a half) to paint it. Two hours later, he returned with Doz Cabezas. The act impressed Warhol, who mentored the young artist.

Picasso had several distinct periods

Picasso was known for his ever-evolving style, which art historians have often divided into his artistic periods. Warmer color palettes and subjects characterized his Pink Period (sometimes called the Rose Period). Other phases focused on neoclassical, surrealist, and mythological art and subjects. Below is Family of Saltimbanques from the Pink Period.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Salvador Dalí idolized Freud but was disappointed after they met

Sigmund Freud's writings on dreams and the unconscious profoundly influenced Dalí and his work, and the artist came to idolize the Austrian psychoanalyst. When they met, Freud viewed Dalí as an odd curiosity, and the artist came away disappointed, significantly lowering his opinion of the psychoanalyst.

Photography was invented by a romantic artist

The invention of photography changed the landscape of art forever. The first photographs were created by Louis-Jacques-Mandé Daguerre, a romantic era printmaker, by using light and chemistry to expand upon images produced by the earlier camera obscura.

Painter Wayne Thiebaud's portraits of 20th-century Americana are often called 'pop art,' the kitschy movement associated with Andy Warhol that focused on commercialism and everyday objects, but Thiebaud disliked the term and the movement.

Art Deco formally began in France in 1925

The design style—often associated with 1920s New York—is named after the International Exhibition of Modern Decorative and Industrial Arts in Paris, which featured many works in the style, which was already popular in France.

In 1949, photography changed Picasso's perspective

Picasso never stopped experimenting, moving through new and familiar styles and materials throughout his life. Despite that, most people only associate Picasso with painting. But in 1949, a chance encounter with Albanian-American photographer Gjon Mili brought yet another medium into Picasso’s world: light.

The 'Old Guitarist' challenged art's standards of beauty

For much of Western art history, the definition of “beauty” in art was dictated by academies rather than personal taste. Artists like Picasso challenged these standards with works considered “ugly” for discarding anatomical accuracy or linear perspective in favor of a feeling.

Picasso is known as one of the creators of cubism

Cubism is an artistic style pioneered by Pablo Picasso and Georges Braque in the early 20th century. Cubist works portray objects and people from multiple perspectives rather than from one fixed position. This helpful explainer from The National Galleries of Scotland breaks down the history of the style and movement, offering some examples of cubist works.

'The Armory Show' brought modernism and the 'avant-garde' to the US.

The scientists trying to prove Jackson Pollock's symbolism

Jackson Pollock is one of the most famous American artists in history. He is well-known for his Abstract Expressionist "drip paintings," which seemed to defy interpretation. But following the artist's posthumous bipolar diagnosis, a team of scientists attempted to prove that his symptoms, including mania and psychosis, caused Pollock to embed images under his thrown paint.