Mary Cassatt's sister, Lydia, moved to Paris to manage her household so Mary could focus on her painting, a dynamic that inadvertently turned Lydia into her sister's muse.

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

Explore a timeline of Mary Cassatt's career

This collection from The Art Story situates Cassatt's major works chronologically and provides historical context, allowing you to see how her interactions with both the French Impressionists and Japanese printmaking influenced her work.

See a collection of Mary Cassatt's artwork

The Metropolitan Museum of Art's digital collection includes 15 of Cassatt's works, including several iconic watercolors, like "Portrait of the Artist" and "Mother Playing with Child." Alongside them, you can read helpful contextual information assembled by Cassatt scholar H Barbara Weinberg.

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Hear a quick but insightful analysis of Mary Cassatt's 'The Boating Party'

Karen Jackson travels to the National Gallery of Art in Washington, DC, to study an oil painting from 1893, walking listeners through a close reading of the canvas. Even if you can't make it to the museum, you can pull the image up and follow her guided analysis.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

Cassatt participated in a fundraiser for women's suffrage against her family's wishes.

Mary Cassatt's 'The Child's Bath' was a rare sight for 19th-century art

Drs. Beth Harris and Steven Zucker note that this portrait of an intimate moment between mother and daughter might have been out of place in 1893, but that its subject matter alludes to spiritual images from the Renaissance or Baroque periods.

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

How Cassatt experimented with the then-new medium of pastels

Cassatt is primarily noted for her paintings and prints, though she also experimented with pastels, a novel medium for the 19th century. Art scholar Marjorie Shelley walks through one of Cassatt's pastel works with a close analysis of 1914's "Mother and Child."

Mary Cassatt and Edgar Degas both influenced each other's work and challenged one another to try new techniques in their painting, though their relationship eventually soured for unclear reasons.

Mary Cassatt helped establish the impressionists' legacy in the US by persuading wealthy patrons to collect their work.

Comparing the impressionism of Monet and Cassatt

Claude Monet and Mary Cassatt were both Impressionists, but that's not all they had in common. This quick comparative analysis of Monet's "The Beach at Trouville" and Cassatt's "Little Girl in a Blue Armchair" shows how both paintings subtly comment on the class of their subjects.

Explore Mary Cassatt's colorful 'Set of 10' prints, inspired by her interest in Japanese woodblocking.

How Mary Cassatt pioneered printmaking

In 1890, the artist attended an exhibition in Paris featuring a vast collection of 725 Japanese woodblock prints. Inspired by the work, she told a friend she could not stop thinking about "color on copper," and eventually used a metal plate "intaglio" technique to execute her vision. This video recreates how she made it happen.

Mary Cassatt was not a fan of Mother's Day

When Mother's Day was first proposed as a holiday in 1913, the American Impressionist opposed it, believing that women's suffrage was a far more important issue. The holiday was established by an act of Congress in 1915; Congress did not pass the 19th Amendment, which guaranteed women the right to vote, until 1919.

A profile of Dickinson's ambiguous but close relationship with Susan Gilbert

Gilbert met Dickinson in 1850, and the two women quickly became very close, with Dickinson often pining for Gilbert in letters. In this essay, critic Maria Popova calls the relationship "beautiful, heartbreaking, unclassifiable," and details how it came to inspire Dickinson's writing, even after Gilbert married Dickinson's brother.

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

Mary Cassatt created a massive mural titled "Modern Woman" for the 1893 World's Fair, but it mysteriously disappeared after the fair ended and hasn't been found since.

'Alice's Adventures in Wonderland' was inspired by a real-life Alice, the daughter of Lewis Carroll's friends.

In 'Life of a Showgirl,' Taylor Swift nods to Pre-Raphaelite muse Elizabeth Siddal

Born in 1829, Siddal was an artist and poet who would become immortalized when she modeled for John Everett Millais' 1852 painting 'Ophelia,' depicting the suicidal lover from Shakespeare's 'Hamlet.' For years, Swift has alluded to Siddal as an exemplar of the sidelined female artist.

Debunking the myth of Dickinson's antisocial seclusion

It's true that the poet largely kept to herself in her late-30s, spending nearly all her time at her father's house, and when she did venture out into the world, she'd wear white, facts that led American history to label her a strange, antisocial recluse. But, as this essay shows, that image is not entirely true, evident in the many relationships she maintained through her letters.

The Wright brothers' sister hyped their work, and was the only one to attend college

Katharine Wright became the de facto household caretaker after their mother, Susan, died, when Katharine was 15. After graduating from Oberlin, Katharine took over household duties so her father and brothers could work. She promoted their work in the US and abroad.

During her lifetime, Emily Dickinson was better known as a gardener than a poet.

19th-century photographer William Mumler claimed he captured ghosts on film, producing images that stunned and bewildered the public.

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

Pablo Picasso's Blue Period, one of his most recognizable artistic eras, was inspired by the loss of his friend, Carles Casagemas.

Dorothea Lange's iconic 'Migrant Mother' photo was just one image of many she captured of the woman with her children.

Why one Emily Dickinson biographer believed she had epilepsy

Lyndall Gordon's "Lives Like Loaded Guns" points to a "handicap" referenced in several Dickinson poems. According to Gordon, the condition was so stigmatized during Dickinson's life that it made her reclusive. In this NPR interview, Gordon explains why she believes the theory is the best explanation for Dickinson's notorious isolation.

The impressionist painters—the 19th-century group that included Monet, Renoir, Cassatt, and more—got their name from a critic who used the term in a negative review, claiming they were unable to paint more realistic scenes.

A comprehensive biography of Emily Dickinson, the influential American poet

This deep dive into Dickinson's biography includes a fascinating anecdote about her time at Mount Holyoke Female Seminary—where she was distinguished from the "established Christians" and deemed "without hope"—as well as the significance of her correspondence with close friend Susan Gilbert, one of her primary readers and eventual sister-in-law.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect.

Charles Dickens legally separated from his wife, then tried to have her committed to a mental asylum.

Why art history is filled with miserable brides

Paintings from the 19th century are filled with unhappy brides. The women are often visibly disturbed by their pending nuptials, sometimes even during the wedding ceremony. This Artnet article unpacks four famous examples of this trend, analyzing how and why the respective artists portrayed these disappointed figures.

Jean Stafford’s ‘A Mother in History’ followed the mother of JFK’s assassin

Marguerite Oswald, the mother of Lee Harvey Oswald, leaned into the public eye after her son’s crime. Stafford’s decision to interview her was the subject of controversy, but offered an interesting character study of a maligned woman openly inclined to make money off the attention she was receiving.

She sells seashells by the seashore or, more accurately, she sells dinosaur fossils along the Jurassic Coast

Now known as the mother of paleontology, Mary Anning was 12 years old in 1811 when her seashore scrounging uncovered an ichthyosaur fossil, the first complete one known to the London scientific community at the time. She spent the rest of her life contributing to a field that didn’t care to welcome her. This article details her life and work.

After her death, Emily Dickinson's editors marketed her as a children's poet, believing it would be the best way to have her work published.

O’Keeffe’s journey to become an artist started at a young age in Wisconsin

In 1905, she left behind her life on the farm to attend art school in Chicago. While studying, the artist won the William Merritt Chase prize for a still life. Her style eventually evolved and caught the attention of important figures in the New York art scene.

Financial hardships forced functionality into every piece of Marie Curie's wardrobe

Curie's upbringing in a family that lost its fortune when participating in failed uprisings for Polish independence instilled frugality in her. Much of the clothing she purchased, including for special occasions like her wedding, was repurposed for lab use.

An artist used forensic techniques to recreate Jane Austen's face

For over two centuries, there was only one accepted portrait of the writer—an 1810 sketch done by Cassandra Austen, Jane's sister. Artist Melissa Dring used that as a basis for her waxwork of the author, along with eyewitness accounts from people who'd met the writer.

A gallery of famous artists and their dogs

Picasso often featured his photographer's dog, Lump, in paintings, due to an unusually close connection. George O'Keeffe adopted chow chows as companions and protectors in the New Mexico desert. See the pets of Lucian Freud, Frida Kahlo, and more.

A painting of coaster-enthusiast Catherine the Great visiting an ice slide

Catherine the Great, the former empress of Russia, loved riding ice slides so much she added wheels to her sleigh to continue the fun during warmer seasons. This 18th century painting depicts her being led from her palace towards the icy slopes.

Adams was so involved as first lady that some nicknamed her 'Mrs. President'

As first lady, Adams took an active role in her husband's presidency—advising on appointments, critiquing his speeches, and corresponding extensively with politicians. She supported the controversial Alien and Sedition Acts and pressed for war with France during the XYZ Affair.

The woman in Dorothea Lange's 'Migrant Mother' photo felt that she and her children had been exploited.

Emily Dickinson's poems were heavily altered after her death, with editors removing many of the peculiar aspects that readers now identify with her work.

Listen to 3 scholars discuss the work of Emily Dickinson

Fiona Green, Linda Freedman, and Paraic Finnerty—three British academics who study Dickinson—discuss the poet's life, distinctive writing style, and impact on the generations who followed, illustrating that part of Dickinson's appeal lies in her open-ended verse, which invites readers' many interpretations.