Cassatt participated in a fundraiser for women's suffrage against her family's wishes.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

Mary Cassatt was not a fan of Mother's Day

When Mother's Day was first proposed as a holiday in 1913, the American Impressionist opposed it, believing that women's suffrage was a far more important issue. The holiday was established by an act of Congress in 1915; Congress did not pass the 19th Amendment, which guaranteed women the right to vote, until 1919.

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

Mary Cassatt's sister, Lydia, moved to Paris to manage her household so Mary could focus on her painting, a dynamic that inadvertently turned Lydia into her sister's muse.

Mary Cassatt helped establish the impressionists' legacy in the US by persuading wealthy patrons to collect their work.

Explore a timeline of Mary Cassatt's career

This collection from The Art Story situates Cassatt's major works chronologically and provides historical context, allowing you to see how her interactions with both the French Impressionists and Japanese printmaking influenced her work.

How Cassatt experimented with the then-new medium of pastels

Cassatt is primarily noted for her paintings and prints, though she also experimented with pastels, a novel medium for the 19th century. Art scholar Marjorie Shelley walks through one of Cassatt's pastel works with a close analysis of 1914's "Mother and Child."

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

Mary Cassatt and Edgar Degas both influenced each other's work and challenged one another to try new techniques in their painting, though their relationship eventually soured for unclear reasons.

See a collection of Mary Cassatt's artwork

The Metropolitan Museum of Art's digital collection includes 15 of Cassatt's works, including several iconic watercolors, like "Portrait of the Artist" and "Mother Playing with Child." Alongside them, you can read helpful contextual information assembled by Cassatt scholar H Barbara Weinberg.

Explore Mary Cassatt's colorful 'Set of 10' prints, inspired by her interest in Japanese woodblocking.

Mary Cassatt's 'The Child's Bath' was a rare sight for 19th-century art

Drs. Beth Harris and Steven Zucker note that this portrait of an intimate moment between mother and daughter might have been out of place in 1893, but that its subject matter alludes to spiritual images from the Renaissance or Baroque periods.

Hear a quick but insightful analysis of Mary Cassatt's 'The Boating Party'

Karen Jackson travels to the National Gallery of Art in Washington, DC, to study an oil painting from 1893, walking listeners through a close reading of the canvas. Even if you can't make it to the museum, you can pull the image up and follow her guided analysis.

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

How Mary Cassatt pioneered printmaking

In 1890, the artist attended an exhibition in Paris featuring a vast collection of 725 Japanese woodblock prints. Inspired by the work, she told a friend she could not stop thinking about "color on copper," and eventually used a metal plate "intaglio" technique to execute her vision. This video recreates how she made it happen.

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

Comparing the impressionism of Monet and Cassatt

Claude Monet and Mary Cassatt were both Impressionists, but that's not all they had in common. This quick comparative analysis of Monet's "The Beach at Trouville" and Cassatt's "Little Girl in a Blue Armchair" shows how both paintings subtly comment on the class of their subjects.

Women's role in society expanded during the war

With millions of men at war, women managed farms and businesses, served as nurses, and organized aid efforts—broadening women's participation in public life and laying the groundwork for future suffrage movements.

Roosevelt resigned from a prominent women's organization after it barred a Black singer from performing

When the Daughters of the American Revolution refused to allow Marian Anderson to perform at their Washington hall in 1939 because she was Black, Roosevelt publicly cut ties with the group. She worked to arrange an alternative outdoor concert for Anderson at the Lincoln Memorial, which drew a crowd of 75,000.

More than 5,000 marchers joined the 1913 Woman Suffrage Parade on the National Mall

On March 3, 1913—the day before Woodrow Wilson's inauguration—suffragists marched through Washington, DC. The parade drew large crowds, exposed violent opposition to women's suffrage, and helped galvanize support for the 19th Amendment.

Black women played a central but often overlooked role in the suffrage movement

Although the women's suffrage movement is often portrayed as a white story, Black women like Truth, Ida B. Wells, and Mary Church Terrell fought for voting rights—frequently facing racism within the movement itself.

The Seneca Falls Declaration was modeled on the Declaration of Independence

At the 1848 Seneca Falls Convention—the first women’s rights convention in US history—Elizabeth Cady Stanton drafted the Declaration of Sentiments, consciously modeled on the Declaration of Independence, to argue that women were denied fundamental rights and justified in demanding legal and political equality.

Financial hardships forced functionality into every piece of Marie Curie's wardrobe

Curie's upbringing in a family that lost its fortune when participating in failed uprisings for Polish independence instilled frugality in her. Much of the clothing she purchased, including for special occasions like her wedding, was repurposed for lab use.

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

The 19th Amendment, which granted women the right to vote in the United States, was a culmination of over 70 years of organizing and advocacy.

Mary Cassatt created a massive mural titled "Modern Woman" for the 1893 World's Fair, but it mysteriously disappeared after the fair ended and hasn't been found since.

Gladys Heldman was a key promoter of pro women's tennis

The photo of the Original Nine holding up their $1 bills after signing their contracts is an iconic image in both the sport and the women's liberation movement. Gladys Heldman isn't in that photo, but she was the promoter behind the tournament and the subsequent Virginia Slims Circuit. This WTA Tennis article dives into her life and her unforgettable contributions to women's tennis.

The impressionist painters—the 19th-century group that included Monet, Renoir, Cassatt, and more—got their name from a critic who used the term in a negative review, claiming they were unable to paint more realistic scenes.

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

Adams was a vocal opponent of slavery during the Revolutionary era

In letters written during the Revolution, Adams clearly opposed slavery—calling it an unjust scheme and highlighting the contradiction of fighting for freedom while enslaving others. Read it in her own words here in a letter to John Adams.

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

Abigail Adams was a shrewd and largely self-taught financial investor

While John was away during the Revolution and his diplomatic career, Adams managed the family's finances and investments skillfully. When John urged her to buy farmland in 1783, she refused—investing instead in government bonds and earning up to 25% annually, compared to his farmland's 1%.

In the 1870s, a woman from Boston ran a Ponzi scheme disguised as a bank by women, for women that promised 8% interest.

Charles Dickens legally separated from his wife, then tried to have her committed to a mental asylum.

Truth is best known for her 1851 speech in Akron linking abolition and women's rights

At the 1851 Women's Rights Convention, Truth gave a speech that cemented her legacy, weaving together abolition and women's rights in remarks that became among the most quoted of the 19th century.

The Wright brothers' sister hyped their work, and was the only one to attend college

Katharine Wright became the de facto household caretaker after their mother, Susan, died, when Katharine was 15. After graduating from Oberlin, Katharine took over household duties so her father and brothers could work. She promoted their work in the US and abroad.

Why art history is filled with miserable brides

Paintings from the 19th century are filled with unhappy brides. The women are often visibly disturbed by their pending nuptials, sometimes even during the wedding ceremony. This Artnet article unpacks four famous examples of this trend, analyzing how and why the respective artists portrayed these disappointed figures.

How Emily Dickinson and Walt Whitman grappled with the American Civil War

Whitman, whose brother was injured while fighting for the Union, was often overt in his pro-Union poems. Dickinson, whose brother paid to have someone enlist under his name, was more subtle, though equally as affected, as this comparative analysis makes clear.

O’Keeffe’s first collection of charcoal drawings was influenced by Japanese artists

Prioritizing personal interpretations over literal ones, O’Keeffe’s abstract drawings challenged the classical approach to capturing nature in art. This initial set of drawings caught the attention of art dealer Alfred Stieglitz and forever changed the trajectory of her career.

An artist used forensic techniques to recreate Jane Austen's face

For over two centuries, there was only one accepted portrait of the writer—an 1810 sketch done by Cassandra Austen, Jane's sister. Artist Melissa Dring used that as a basis for her waxwork of the author, along with eyewitness accounts from people who'd met the writer.

Alfred Stieglitz was a significant photographer in the American modern art movement

Stieglitz took hundreds of famous portraits of O’Keeffe and helped cement her reputation in New York by showcasing her work in his famed gallery. (This resource contains some artistic nudity.)

Elizabeth Schuyler Hamilton founded New York City's first private orphanage

Schuyler Hamilton, Alexander's wife for 24 years, continued telling his story after his death. She devoted decades to her own work—cofounding New York's first private orphanage, leading charitable fundraising, and becoming a prominent advocate for education and social welfare in the early republic.

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Margaret Keane outwitted her plagiarist husband by recreating her work in a courtroom

The artist, known for her portraits of large-eyed children, sued her ex-husband, who claimed he was the real artist. The judge asked them to both paint in court to demonstrate the real artist. Her ex-husband declined; Keane painted a work in 53 minutes and was awarded $4M.

'The Armory Show' brought modernism and the 'avant-garde' to the US.