A selection of author Flannery O'Connor's witty letters

Flannery O’Connor’s recommended reading

O’Connor was a rabid reader and a prolific letter writer, often suggesting (and sometimes criticizing) books to friends and admirers. This list distills those recommendations into a compact list, praising Henry James, Edgar Allan Poe, and National Geographic. It’s a good reading list and a fascinating window into O’Connor’s influences.

Flannery O’Connor is a major figure in American literature

In her lifetime, O’Connor wrote 31 short stories and two novels. She was awarded three O. Henry Awards, the most prestigious honor for a short story writer. In 1972, she was posthumously awarded the National Book Award for her “Collected Stories.”

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

After Flannery O'Connor's death, the writer's mother insisted her daughter be buried with a smile on her face.

Listen to Flannery O'Connor read her story 'A Good Man Is Hard To Find'

"A Good Man Is Hard To Find," published in 1953, is O'Connor's most well-known story—and the most representative of her style and themes. This recording, from a 1959 appearance at Vanderbilt University, features the author reading to a live audience.

Flannery O’Connor believed the South was ‘Christ-haunted’

O’Connor was a lifelong Catholic who spent most of her life in the Protestant Bible Belt, the setting for nearly all her fiction often infused with Catholic themes. “I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted,” she wrote.

O’Connor’s caretaker Emma Jackson had an early impact on her views

Flannery O'Connor had conflicting views on race. She criticized racism and mocked segregationists, yet made racist jokes. Scholars recently unearthed details from the O’Connor archive about Emma Jackson, a Black woman hired young Flannery's caretaker. O'Connor recounted learning about racism after being scolded for spending too much time with Jackson.

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

Alice Walker admired Flannery O’Connor for her honest portrayal of the South

Walker wrote “The Color Purple,” which won the Pulitzer Prize for Fiction, making her the first Black woman to win the award. In her essay “A South Without Myths,” she calls O’Connor “the first great modern writer from the South,” particularly because her work abandoned nostalgia for the antebellum world.

A film crew captured a 5-year-old Flannery O’Connor and her talented chicken

British Pathé, an international news program, ventured out to Georgia to film O’Connor (then known by her given name, Mary) and her chicken, whom she’d taught to walk backward. O’Connor would later joke that it was the highlight of her life.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

O’Connor’s stories feature Southern outcasts thrust into bizarre situations

The Deep South is presented as a shadowy place, filled with scheming figures posing as upstanding citizens, like the conniving door-to-door Bible salesman of “Good Country People,” and smug intellectuals receiving their comeuppances, like the condescending college graduate of “Everything That Rises Must Converge.”

O’Connor shared lengthy, intimate letters with Betty Hester, a recluse

When O’Connor’s private letters were released in “The Habit of Being,” readers wondered about the identity of “A,” who had an intimate (possibly romantic) relationship with the writer. Decades later, “A” was revealed to be Betty Hester, a reclusive file clerk. Scholars still debate whether the two were romantically involved.

Watch a Yale professor’s take on O’Connor’s ‘Wise Blood’

O’Connor’s first novel is about Hazel Motes, a World War II veteran who returns home and sets out to form an anti-religious congregation. It’s a striking debut and one that Yale professor Amy Hungerford taught in her course “The American Novel Since 1945.”

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

In 2020, Loyola University Maryland removed O’Connor’s name from a dormitory

The decision was made after a student petition, citing private letters using racial epithets. Hundreds of writers and academics wrote an open letter criticizing the move, including novelist Alice Walker, who said, “We must honor Flannery for growing. Hide nothing of what she was, and use that to teach.”

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

Joyce Carol Oates praised King's working-class characters

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Breaking down how Dickinson viewed letters as an extension of her poetry

The poet's many correspondences were dashed with playful arrangements of text, offering her pen pals surprises once they opened their envelopes. Jana Dambrogio and Daniel Starza Smith explain how Dickinson even creatively used the 19th-century security technique of letterlocking in poetic ways.

The significance of Emily Dickinson's many personal letters

The first editors of Dickinson's posthumous collection of poetry heavily amended her work, making her private letters and drafts more valuable for what many perceive to be her more raw, unadulterated voice. Cristanne Miller, the editor of "The Letters of Emily Dickinson," discusses their importance and why so many of them were destroyed after Dickinson's death.

Inside 'Blood Meridian' author Cormac McCarthy's library of 20,000 books

The reclusive writer published 12 novels and taught himself stonemasonry and quantum physics, among myriad other skills and subjects. Since he died in 2023, scholars have been mining his personal library for lessons on his influences, interests, and more.

O’Connor despised romantic portrayals of the South

1939’s “Gone With the Wind” presented a rosy image of the Old South, something a 14-year-old O’Connor allegedly despised. Later, she wrote “A Late Encounter With the Enemy,” a story mocking how Confederate Army veterans were honored at the film’s premiere.

A beginner's guide to Toni Morrison

The legendary American writer died in 2019, but her fiction is still as relevant as ever. This primer walks aspiring Morrison fans through her body of work, outlining the ideal starting point for several different kinds of readers. (Some readers may experience a paywall.)

Kurt Vonnegut's satire embraced dark humor

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”

Joan Didion's Friendsgivings had famous guests and massive home-cooked meals

The influential writer enjoyed cooking for large groups, which included novelists Philip Roth, Edna O'Brien, and Nora Ephron.

Five books edited by Toni Morrison

Early in her literary career, Toni Morrison was an editor for Random House, where she acquired titles and worked with their writers to fine-tune their manuscripts. In 1983, Morrison left to focus on her own books, but she still managed to work on several excellent books. This list of five of those titles helpfully offers some context to highlight the ways Morrison acquired and assisted the writers through publication.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Exploring the life of Colleen Hoover, one of romance's most popular authors

The writer is one of the bestselling names in fiction, with her book sales in 2022 surpassing those of the Bible. This profile unpacks her fast rise to fame, including the story behind her first book, which began as a self-published e-book but quickly found its way onto the New York Times bestseller list.

After being diagnosed with lupus, O'Connor moved to her family's Georgia farm

In 1950, O'Connor began feeling ill and returned to Georgia, where she was diagnosed with lupus, the same disease that killed her father when O'Connor was just 15. After the diagnosis, O'Connor and her mother moved to Andalusia, the family farm north of Milledgeville, Georgia.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Explore a list of the best novels of all time, including works by Jane Austen, Cormac McCarthy, and many others.

Shirley Jackson is one of horror’s most important writers

The author of 20th-century classics like “The Haunting of Hill House” and “Hangsaman” was a master of domestic horror, though she was often minimized during her life for writing horror. Since her death in 1965, Jackson’s work has proven to be influential to horror and literary writers alike.

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

David Foster Wallace admired Stephen King's writing

David Foster Wallace was one of the most acclaimed American writers of the 1990s and early 2000s, releasing dense, philosophically informed works of literary fiction. When the syllabus for an undergraduate literature course he taught surfaced through his archives at the University of Texas, many of his fans were surprised to find it included so much supposedly commercial fiction, including Stephen King's "Carrie." Below are his annotations on two pages of the novel.

Why 2 literary writers think you should read Colleen Hoover

The "It Ends With Us" author is one of the most successful contemporary writers in American literature; she's also one of the most derided. Elizabeth Kaye Cook and Melanie Jennings argue that the criticism is mostly unfounded and that literary types should embrace more commercial authors like Hoover.

'I am a writer who came from a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.'

- American novelist Eudora Welty (1909-2001)

Read the poetry of Emily Dickinson

Dickinson wrote about 1,800 poems during her life, though the bulk of them weren't published until after her death in 1886. This collection from the Academy of American Poets brings together many of her most important (but untitled) works, which you can search by their first lines.

The Wall Street Journal compiled the best parts of Warren Buffett's annual letters

Over the years, Buffett has quoted Yogi Berra and Mae West, as well as country songs and the Bible. Many turn to his letters as a source of inspiration and wisdom.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

Scholars allege the CIA funded the prestigious Iowa Writers' Workshop

The graduate program—which instructed legendary writers like Flannery O'Connor, Raymond Carver, and John Berryman—received funding from several CIA fronts. Some academics suggest this was in the service of promoting a realist American literature as a counterpoint to Soviet fiction.

A comprehensive biography of Emily Dickinson, the influential American poet

This deep dive into Dickinson's biography includes a fascinating anecdote about her time at Mount Holyoke Female Seminary—where she was distinguished from the "established Christians" and deemed "without hope"—as well as the significance of her correspondence with close friend Susan Gilbert, one of her primary readers and eventual sister-in-law.

These 20,000 letters to an advice columnist provide some insights into US anxieties and concerns.

'Her own thoughts and reflections were habitually her best companions.'

- Legendary author Jane Austen (1775 -1817)

Explore the massive home library of Larry McMurtry, author of 'Lonesome Dove.'

14 famous authors trash-talking classic books

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

A linguist argues Jane Austen's language is what defines her fiction

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

'The Republic of Letters' was an analog internet for the Enlightenment.

The virtual intellectual society exchanged tens of thousands of letters and spanned several continents. Some of its most avid correspondents were Voltaire, Benjamin Franklin, and Saint Ignatius of Loyola, founder of the Jesuits.