Watch a Yale professor’s take on O’Connor’s ‘Wise Blood’

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

O’Connor’s stories feature Southern outcasts thrust into bizarre situations

The Deep South is presented as a shadowy place, filled with scheming figures posing as upstanding citizens, like the conniving door-to-door Bible salesman of “Good Country People,” and smug intellectuals receiving their comeuppances, like the condescending college graduate of “Everything That Rises Must Converge.”

Flannery O’Connor’s recommended reading

O’Connor was a rabid reader and a prolific letter writer, often suggesting (and sometimes criticizing) books to friends and admirers. This list distills those recommendations into a compact list, praising Henry James, Edgar Allan Poe, and National Geographic. It’s a good reading list and a fascinating window into O’Connor’s influences.

Audit a Yale course on great American novels after 1945

Wish you'd paid more attention back in college? There's good news: You can still pop into some college classes, without having to pay tuition (or write term papers). This course from one-time Yale professor Amy Hungerford walks through the great American novels after World War II, including works from Toni Morrison, Philip Roth, Cormac McCarthy, and more.

O’Connor despised romantic portrayals of the South

1939’s “Gone With the Wind” presented a rosy image of the Old South, something a 14-year-old O’Connor allegedly despised. Later, she wrote “A Late Encounter With the Enemy,” a story mocking how Confederate Army veterans were honored at the film’s premiere.

Flannery O’Connor is a major figure in American literature

In her lifetime, O’Connor wrote 31 short stories and two novels. She was awarded three O. Henry Awards, the most prestigious honor for a short story writer. In 1972, she was posthumously awarded the National Book Award for her “Collected Stories.”

Alice Walker admired Flannery O’Connor for her honest portrayal of the South

Walker wrote “The Color Purple,” which won the Pulitzer Prize for Fiction, making her the first Black woman to win the award. In her essay “A South Without Myths,” she calls O’Connor “the first great modern writer from the South,” particularly because her work abandoned nostalgia for the antebellum world.

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

A selection of author Flannery O'Connor's witty letters

Flannery O'Connor wrote darkly humorous novels while cultivating a richly devout Catholic faith. One of the most renowned American authors of the 20th century, she also wrote many letters in a very charming and witty style. Read a selection of her best epistles here.

Listen to Flannery O'Connor read her story 'A Good Man Is Hard To Find'

"A Good Man Is Hard To Find," published in 1953, is O'Connor's most well-known story—and the most representative of her style and themes. This recording, from a 1959 appearance at Vanderbilt University, features the author reading to a live audience.

Flannery O’Connor believed the South was ‘Christ-haunted’

O’Connor was a lifelong Catholic who spent most of her life in the Protestant Bible Belt, the setting for nearly all her fiction often infused with Catholic themes. “I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted,” she wrote.

O’Connor shared lengthy, intimate letters with Betty Hester, a recluse

When O’Connor’s private letters were released in “The Habit of Being,” readers wondered about the identity of “A,” who had an intimate (possibly romantic) relationship with the writer. Decades later, “A” was revealed to be Betty Hester, a reclusive file clerk. Scholars still debate whether the two were romantically involved.

In 2020, Loyola University Maryland removed O’Connor’s name from a dormitory

The decision was made after a student petition, citing private letters using racial epithets. Hundreds of writers and academics wrote an open letter criticizing the move, including novelist Alice Walker, who said, “We must honor Flannery for growing. Hide nothing of what she was, and use that to teach.”

O’Connor’s caretaker Emma Jackson had an early impact on her views

Flannery O'Connor had conflicting views on race. She criticized racism and mocked segregationists, yet made racist jokes. Scholars recently unearthed details from the O’Connor archive about Emma Jackson, a Black woman hired young Flannery's caretaker. O'Connor recounted learning about racism after being scolded for spending too much time with Jackson.

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

Joyce Carol Oates praised King's working-class characters

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

A beginner's guide to Toni Morrison

The legendary American writer died in 2019, but her fiction is still as relevant as ever. This primer walks aspiring Morrison fans through her body of work, outlining the ideal starting point for several different kinds of readers. (Some readers may experience a paywall.)

After Flannery O'Connor's death, the writer's mother insisted her daughter be buried with a smile on her face.

Hear 2 literature professors unpack the legacy of 'Animal Farm'

The University of Oxford's David Dwan—a professor of English literature and intellectual history—is an Orwell scholar who has written about the author's politics, especially as they relate to "Animal Farm." In this conversation with Dr. Nathan Waddell, from the University of Birmingham, UK, Dwan explores how framing the novella as a beast fable both made it more accessible and allowed it to be overly simplified.

Barbara Kingsolver's 'Demon Copperhead' reframes Dickens for the opioid crisis

The 2022 novel is a retelling of Dickens' autobiographical coming-of-age novel "David Copperfield." Kingsolver moves the story from Victorian England to contemporary Appalachia, where the opioid crisis is raging. The book won the 2023 Pulitzer Prize for Fiction.

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

A film crew captured a 5-year-old Flannery O’Connor and her talented chicken

British Pathé, an international news program, ventured out to Georgia to film O’Connor (then known by her given name, Mary) and her chicken, whom she’d taught to walk backward. O’Connor would later joke that it was the highlight of her life.

Some Harlem Renaissance figures criticized Zora Neale Hurston's most famous novel when it was released

Zora Neale Hurston's "Their Eyes Were Watching God" is now considered one of the masterpieces of the Harlem Renaissance, though some in the movement criticized it when it was released in 1937. Both Alain Locke and the writer Richard Wright felt that Hurston's novel lacked depth. Wright was particularly harsh, writing that "her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy."

A beginner's guide to the books of John Steinbeck, one of America's great novelists.

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

Critics have debated 'the great American novel,' arguing which book best captures the spirit of American literature since the 19th century.

Watch writer John Steinbeck's Nobel Prize acceptance speech.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Inside 'Blood Meridian' author Cormac McCarthy's library of 20,000 books

The reclusive writer published 12 novels and taught himself stonemasonry and quantum physics, among myriad other skills and subjects. Since he died in 2023, scholars have been mining his personal library for lessons on his influences, interests, and more.

Barbara Brown Taylor reflects on the oft-used phrase "spiritual but not religious"

Released on Holy Thursday 2023, this conversation with the Episcopal priest and preacher argues that the human appetite for the sacred is strong, despite declining church membership. Taylor and longtime host of the "On Being" podcast, Krista Tippett, explore wilderness, embodied faith, and what holiness actually feels like when the institution no longer appears to supply it.

Virginia Woolf admired 'The Tale of Genji'

Widely considered one of the defining voices of modernist literature, Virginia Woolf was known for her experiments with stream-of-consciousness narration, nonlinear storytelling, and psychologically complex characters. In a 1925 essay about Murasaki Shikibu’s “The Tale of Genji,” largely considered the world’s first novel, Woolf explains how Shikibu’s style captures the intricacies of living in ways only the novel can.

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

After being diagnosed with lupus, O'Connor moved to her family's Georgia farm

In 1950, O'Connor began feeling ill and returned to Georgia, where she was diagnosed with lupus, the same disease that killed her father when O'Connor was just 15. After the diagnosis, O'Connor and her mother moved to Andalusia, the family farm north of Milledgeville, Georgia.

Why 2 literary writers think you should read Colleen Hoover

The "It Ends With Us" author is one of the most successful contemporary writers in American literature; she's also one of the most derided. Elizabeth Kaye Cook and Melanie Jennings argue that the criticism is mostly unfounded and that literary types should embrace more commercial authors like Hoover.

Listen to the experiences of an art historian who met Georgia O'Keeffe

Wanda M. Corn wrote the biography "Georgia O'Keeffe: Living Modern" and recounts her experience interviewing the artist in New Mexico. Hear interesting details from an O'Keeffe expert, including specifics about her clothes, her home and her upbringing.

Exploring the life of Colleen Hoover, one of romance's most popular authors

The writer is one of the bestselling names in fiction, with her book sales in 2022 surpassing those of the Bible. This profile unpacks her fast rise to fame, including the story behind her first book, which began as a self-published e-book but quickly found its way onto the New York Times bestseller list.

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

Joan Didion's Friendsgivings had famous guests and massive home-cooked meals

The influential writer enjoyed cooking for large groups, which included novelists Philip Roth, Edna O'Brien, and Nora Ephron.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

In 1922, Zelda Fitzgerald was commissioned to write a satirical review of her husband's latest novel

The review of "The Beautiful and the Damned" might have been comedic, but it was also illuminating, allowing Zelda to acknowledge her husband's tendency to use material from her diaries in his fiction and interrogate the way female characters were often portrayed in novels written by men.

Scholars allege the CIA funded the prestigious Iowa Writers' Workshop

The graduate program—which instructed legendary writers like Flannery O'Connor, Raymond Carver, and John Berryman—received funding from several CIA fronts. Some academics suggest this was in the service of promoting a realist American literature as a counterpoint to Soviet fiction.

Olivia Nuzzi serves as a modern example of New Journalism

Writer Lily Isaacs argues that Nuzzi, a political journalist known for engaging in personal relationships with her subjects, can be viewed as an inheritor of New Journalism. Isaacs claims Nuzzi’s departure from purely objective reporting has informed her profiles, leading to intimate insights into her subjects' psychology.

Joan Didion's 1967 'Slouching Towards Bethlehem' laid the hippie counterculture bare

Didion wrote a detailed account of living alongside hippies in San Francisco's Haight Ashbury area in the 1960s. Beyond their style and politics, Didion uncovered chaos, with one particularly shocking interview of a 5-year-old on LSD. Her stories challenged the movement's message of freedom and utopia in California.

Joan Didion's 1975 commencement speech at UCR encouraged graduates to think outside of themselves

Filled with many widely circulated quotes, the talk addresses people's tendency to focus only on their personal ideologies and perceptions of the world. Didion advocates for being an active participant in the world, rather than existing only in our own bubbles.

Listen to 3 scholars discuss the work of Emily Dickinson

Fiona Green, Linda Freedman, and Paraic Finnerty—three British academics who study Dickinson—discuss the poet's life, distinctive writing style, and impact on the generations who followed, illustrating that part of Dickinson's appeal lies in her open-ended verse, which invites readers' many interpretations.

Joyce's 'Ulysses' is among modernism's most famous novels

James Joyce’s 1922 epic, “Ulysses,” might be the most intimidating of the modernist movement's many famous novels. It’s a lengthy tome and incredibly dense, written in a stream-of-consciousness style that many readers find impenetrable. Others, however, find it transcendent. This travelogue was written by a reporter traveling to Dublin for Bloomsday, the annual holiday celebrating the novel, who wants to understand why so many people are so drawn to something so esoteric.