O'Connor believed grotesque fiction was realistic

'The grotesque' describes a feature of Gothic literature

The term harkens back to decorative aspects of Gothic architecture, including mythical creatures like gargoyles. In literature, the grotesque describes similarly monstrous characters and situations.

O’Connor’s stories feature Southern outcasts thrust into bizarre situations

The Deep South is presented as a shadowy place, filled with scheming figures posing as upstanding citizens, like the conniving door-to-door Bible salesman of “Good Country People,” and smug intellectuals receiving their comeuppances, like the condescending college graduate of “Everything That Rises Must Converge.”

O’Connor despised romantic portrayals of the South

1939’s “Gone With the Wind” presented a rosy image of the Old South, something a 14-year-old O’Connor allegedly despised. Later, she wrote “A Late Encounter With the Enemy,” a story mocking how Confederate Army veterans were honored at the film’s premiere.

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

Flannery O’Connor believed the South was ‘Christ-haunted’

O’Connor was a lifelong Catholic who spent most of her life in the Protestant Bible Belt, the setting for nearly all her fiction often infused with Catholic themes. “I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted,” she wrote.

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

Joyce Carol Oates praised King's working-class characters

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

Alice Walker admired Flannery O’Connor for her honest portrayal of the South

Walker wrote “The Color Purple,” which won the Pulitzer Prize for Fiction, making her the first Black woman to win the award. In her essay “A South Without Myths,” she calls O’Connor “the first great modern writer from the South,” particularly because her work abandoned nostalgia for the antebellum world.

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

After Flannery O'Connor's death, the writer's mother insisted her daughter be buried with a smile on her face.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

O’Connor’s caretaker Emma Jackson had an early impact on her views

Flannery O'Connor had conflicting views on race. She criticized racism and mocked segregationists, yet made racist jokes. Scholars recently unearthed details from the O’Connor archive about Emma Jackson, a Black woman hired young Flannery's caretaker. O'Connor recounted learning about racism after being scolded for spending too much time with Jackson.

A selection of author Flannery O'Connor's witty letters

Flannery O'Connor wrote darkly humorous novels while cultivating a richly devout Catholic faith. One of the most renowned American authors of the 20th century, she also wrote many letters in a very charming and witty style. Read a selection of her best epistles here.

Flannery O’Connor is a major figure in American literature

In her lifetime, O’Connor wrote 31 short stories and two novels. She was awarded three O. Henry Awards, the most prestigious honor for a short story writer. In 1972, she was posthumously awarded the National Book Award for her “Collected Stories.”

Listen to Flannery O'Connor read her story 'A Good Man Is Hard To Find'

"A Good Man Is Hard To Find," published in 1953, is O'Connor's most well-known story—and the most representative of her style and themes. This recording, from a 1959 appearance at Vanderbilt University, features the author reading to a live audience.

Horror stories often rely on tropes

All literary genres use tropes, a word used to describe established plot devices, character types, and themes. Horror has many of them, like the "Creepy Child" and the "Evil Mask." Some are based on folklore, like the "Deal with the Devil."

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

Watch a Yale professor’s take on O’Connor’s ‘Wise Blood’

O’Connor’s first novel is about Hazel Motes, a World War II veteran who returns home and sets out to form an anti-religious congregation. It’s a striking debut and one that Yale professor Amy Hungerford taught in her course “The American Novel Since 1945.”

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Flannery O’Connor’s recommended reading

O’Connor was a rabid reader and a prolific letter writer, often suggesting (and sometimes criticizing) books to friends and admirers. This list distills those recommendations into a compact list, praising Henry James, Edgar Allan Poe, and National Geographic. It’s a good reading list and a fascinating window into O’Connor’s influences.

O’Connor shared lengthy, intimate letters with Betty Hester, a recluse

When O’Connor’s private letters were released in “The Habit of Being,” readers wondered about the identity of “A,” who had an intimate (possibly romantic) relationship with the writer. Decades later, “A” was revealed to be Betty Hester, a reclusive file clerk. Scholars still debate whether the two were romantically involved.

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

Gonzo Journalism places the author at the center of the events

Some may describe Gonzo as a more daring style of subjective reporting than New Journalism, as it prioritizes the personal experience and opinions of the writer. Gonzo pieces also tend to feature hyperbole, comedy and taboo subjects.

Horror evolved from Gothic literature

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

Rather than relying on blood and gore, folk horror involves remote settings and ancient traditions.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

Gay Talese never fully accepted the title ‘New Journalism’

“I don't think it was new, and I don’t think it was journalism,” he said. He instead viewed what he and other writers were doing as defining reality using a storytelling technique. In other words, storytelling that wasn’t fiction.

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

A comparative analysis of the romance and horror genres' overlap

Both genres aim to make their readers' hearts pound, albeit in different ways. Romance novelist Trilina Pucci argues that the gap between the two aims is much slimmer than it may seem, with some horror tropes (like a man enraged by the abuse of his wife) and romance tropes (like the subgenre of dark romance) blurring the line.

Although not known for horror, a young Tennessee Williams wrote a gothic radio play

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

In 2020, Loyola University Maryland removed O’Connor’s name from a dormitory

The decision was made after a student petition, citing private letters using racial epithets. Hundreds of writers and academics wrote an open letter criticizing the move, including novelist Alice Walker, who said, “We must honor Flannery for growing. Hide nothing of what she was, and use that to teach.”

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

Why Orwell called Dalí a 'disgusting human being'

Writer George Orwell took offense at the disturbing actions described in Dalí's salacious autobiography "The Secret Life of Salvador Dalí." In a 1944 essay, Orwell described the cruelty and moral degradation of Dalí—while also admitting the artist's undeniable talent.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect.

Ursula K. Le Guin worked to dismantle fantasy's clichés

The author is one of the genre’s most legendary names, constructing high fantasies like “The Earthsea Cycle” that detail intricate new worlds. In 2004, she delivered a lecture criticizing books and movies that rely on a simple formula: white characters, Medieval settings, and a battle between good and evil. “Whenever I find a fantasy that is set in a genuinely imagined society and culture instead of this lazy-minded, recycled hokum,” she said, “I feel like setting off fireworks.”

Loving bad art isn't always about mockery

Dr. John Dyck, an assistant professor of philosophy at Mississippi State, says admirers of "so good they're bad" works like "The Room" do not do so ironically. "They love it as a gorgeous freak accident of nature, something that turned out beautifully—not despite, but because of the failure of its creators."

A film crew captured a 5-year-old Flannery O’Connor and her talented chicken

British Pathé, an international news program, ventured out to Georgia to film O’Connor (then known by her given name, Mary) and her chicken, whom she’d taught to walk backward. O’Connor would later joke that it was the highlight of her life.

Horace Walpole’s ‘The Castle of Otranto’ was the first Gothic novel

Walpole’s 1764 novel takes place in a haunted castle, with self-closing doors, moving pictures, and a wandering ghost—many of the tropes that would come to define the Gothic and horror genres, and influence other genres like fantasy.

Kurt Vonnegut sought to invert the 'shapes of stories'

Kurt Vonnegut is among the most popular postmodernists, renowned for his humor and willingness to move between genres. This clip from a lecture on narrative is a perfect example of those tendencies, with Vonnegut diagramming typical story structures only to mock their predictability. It's not only an enlightening look at the way stories are told—it's also just good comedy.

Some theorize that horror's artifice turns fear into enjoyment

The “excitation transfer theory” suggests that the unpleasant feelings a jump scare might elicit (like shortness of breath) are quickly relieved when the audience member remembers what they’re witnessing is fake.

Novelist Jean Toomer was uncomfortable with the term 'Negro writer'

Toomer's modernist novel "Cane" is, among critics, one of the great works of the Harlem Renaissance. Toomer, however, was uncomfortable with his work being labeled as "Negro," including in Alain Locke's movement-defining collection "The New Negro." He found the title both reductive and inaccurate: He was mixed-race, telling writer Claude McKay that he was "French, Dutch, Welsh, Negro, German, Jewish and Indian," and preferred to be considered "American."

Critics of New Journalism believe the form shares unreliable information

After Gay Talese’s 2016 book on Gerald Foos was found to lack factual accuracy, criticism of New Journalism returned to the limelight. Some believe the narrative focus requires abandoning the facts and leaves too much room for writers to make up material rather than present what actually happened.

Critics have debated 'the great American novel,' arguing which book best captures the spirit of American literature since the 19th century.

Jackson's 'The Lottery' inspired a trove of angry letters to The New Yorker

The writer's short story "The Lottery" is widely taught in American schools and with good reason—it's a masterful and horrifying story about the dangers of blind tradition. After its initial publication in The New Yorker, 150 readers wrote letters calling the story "outrageous," "gruesome," and "utterly pointless." Listen to a reading of the story below and a discussion of why it provoked such outraged responses.

Kurt Vonnegut's satire embraced dark humor

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”