‘Moshing,’ an aggressive style of dancing, was initially called 'mashing'

Bad Brains sped up punk, creating hardcore

Punk was already fast, but Washington’s Bad Brains pushed the tempo even further, creating music that would come to be known as hardcore, influencing acts like Minor Threat, Nirvana, and countless others. The band was hardly one-dimensional. Their self-titled debut bounced between blistering hardcore and slow-burning reggae about Rastafarianism.

The Beastie Boys started as a punk band

Before they became a legendary rap group, the New Yorkers played fast, scrappy hardcore in the style of Bad Brains. Still, they were fans of the explosion of hip-hop culture in their city and recorded a jokey track in 1983, which led to a record deal and conversion to hip-hop.

Before it was used to describe the blend of punk and metal from Seattle, 'grunge' was used as an insult.

Hip-hop is both a music and a culture

While the word is often used to describe the popular genre, it’s historically been used to describe the culture that sprang up around the music in 1970s New York, including breakdancing and graffiti.

The first known use of 'punk rock' was in 1971

When Creem Magazine's Dave Marsh wrote about seeing '60s garage rockers ? and the Mysterians perform, he remarked it would be unthinkable "to miss such a landmark exposition of punk-rock." The band isn't considered a punk band, but Marsh's description would go on to define other scrappy, back-to-basics acts.

CBGB, the breeding ground for punk, was intended to be a country bar

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

A brief history of dance music

Throughout history, crowded, dimly lit, sweat-filled, and loud spaces that have hosted dance music have mirrored and shaped social change. Tracing the evolution of dance and club culture from the 1950s to today reveals changes in youth culture and desires over time. Read this article to learn more about how dance floors have reflected societal movements.

The 1973 ‘back to school jam’ was the night hip-hop was born

Hip-hop began in New York’s Bronx borough with the “back to school jam,” an August 1973 dance party hosted by Cindy Campbell and her brother, DJ Kool Herc, in their apartment building’s recreation room.

Burning Man's DMV refers to the Department of Mutant Vehicles

There's a specific Burning Man lingo that can be hard to follow if you haven't attended before. MOOP essentially refers to litter, the playa is another word for Black Rock City, and a playa chicken is a mythical deadly chicken.

DJ Kool Herc pioneered the use of breakbeats for hip-hop

Inspired by Jamaican dancehall culture and Manhattan's disco scene, Herc used a new style that used two turntables, seamlessly mixing and looping "breakbeats"—isolated drum breaks from funk, soul, and rock records—that kept dancers at the "back to school jam" moving. Herc's technique would be the basis for modern sampling and hip-hop's first few decades.

Experimental duo Suicide used the word 'punk' to describe their music in 1970

The New York act was inspired by free jazz, electronic music, and performance art, playing loud, frenetic, and often abrasive music that reckoned with the horrors of the Vietnam War. On the hand-drawn poster for their first gig, they described the sound with four words: “Punk Music by Suicide.”

Long before grunge, Hüsker Dü blended pop's melodies and punk's speed

The Minneapolis trio began as a lightning-fast hardcore band, but they slowly became more melodic than many of their early '80s peers without sacrificing their punk edge. That combination would eventually be called a mess of names: college rock, alternative, indie, and, eventually, grunge.

The Stooges were a stark contrast to the hippie movement

The Detroit band is often considered “proto-punk” because their loud, dark, and distorted music helped establish a template for the punk explosion that came later. In 1970, rock writer Lester Bangs even used the word “punk” to describe the band’s frontman, Iggy Pop.

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts, such as the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo. In the 1980s, 1990s, and 2000s, California pop-punk acts such as the Descendents, Green Day and Blink-182 continued the tradition.

Graffiti's lexicon includes slang for methods and aspirations

Quickly covering an area with graffiti, often fast tags and throwies, is called "bombing," a word that's intended to evoke images of an aerial raid. "Heaven" is a double entendre: It's a very high spot, both desirable and potentially fatal.

Rapping has roots in numerous aspects of the Black oral tradition

Although “rapping” began in New York with hip-hop in the early 1970s, it can be traced back to griots, who were storytellers in West Africa, and “toasting,” which was a similar talk-sing style practiced by dancehall DJs in Jamaica.

By the mid-1980s, rappers began developing complex techniques

Early hip-hop featured straightforward meter and rhyme, with rappers generally following the beat and using rhyming couplets in the style of nursery rhymes. MCs like Rakim, though, began pushing the limits of the form through varied stresses and dynamic, multisyllabic slant rhymes.

Minor Threat inadvertently created the straight edge movement

The DC hardcore band released the song "Straight Edge" in 1981, which detailed singer Ian MacKaye's decision to abstain from alcohol, drugs and promiscuous sex. The track inadvertently inspired legions of young hardcore kids to similarly declare themselves "straight edge," which eventually grew into its own subgenre.

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts like the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo.

The Buzzcocks' 1975 self-released EP inspired a DIY ethos for punk

Punk sought to dismantle the self-importance of mainstream rock, favoring simple arrangements, short songs, and raw passion over sophistication or expertise. When the Buzzcocks struggled to find a label to release their debut record, “Spiral Scratch,” they took that do-it-yourself approach and applied it to business by releasing it themselves.

In 1977, Iggy Pop said 'punk rock' was a term used by 'heartless manipulators'

Although he's often called 'the Godfather of Punk,' Iggy Pop was over punk by 1977, just as the term was entering the mainstream. "It's a term that's based in fashion, style, elitism, Satanism, and everything that's rotten about rock 'n' roll," Pop told Canadian TV host Peter Gzowski.

The word ‘hip-hop’ is often credited to DJ Lovebug Starski

The name was coined by Bronx DJ Lovebug Starski, who ad-libbed the term to match the rhythm of a beat while he was rapping. While it began as nonsense, the term went on to describe the music and multifaceted culture that surrounded it.

Band names often fit into 'semantic spaces'

Linguist Chi Luu explains that we often understand and identify with band names, even if they're odd (or nonsensical) word combinations, based on their associations with other words. For example, bands that begin with "The" often nod to 1960s garage rock; heavy metal bands often rely on morbid or funereal words.

Springsteen played in several groups in Asbury Park, including one massive jam band

Dr. Zoom and the Sonic Boom featured between 15 and 20 people on stage at any given time, including future E Street Band members like Steven Van Zandt and Jersey Shore mainstay Southside Johnny. The band was not entirely serious, sometimes featuring someone who "played Monopoly" rather than an instrument.

The 'Movie Brats'—the nickname given to 1970s film directors like Steven Spielberg, Francis Ford Coppola, George Lucas, and others—ushered in a new era of Hollywood.

The '90s riotgrrrl movement brought female-fronted bands to the front

The movement—which pushed back on punk’s misogyny and argued for a countercultural form of third-wave feminism—began in self-published magazines before taking root in bands like Bikini Kill and Bratmobile. The scene’s music and ethos can still be found in contemporary acts like Olivia Rodrigo.

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

Bossa nova had its own dance, though it was short-lived

American record executives hoped to create a social dance for the song, believing it would lead to more record sales, as had been the case with Chubby Checker's "The Twist." That led several well-regarded dance studios to attempt to create a dance, though none caught on like "The Twist" had.

Death, early innovators of punk, were unknown for decades

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

Basquiat produced an early hip-hop classic

The 1983 track “Beat Bop” features emcees Rammellzee and K-Rob rapping over a beat produced and arranged by Basquiat. Though it leans into several tropes from the early days of hip-hop, it’s also singular, with elements of dub, funk, and disco blending over its 10 minutes.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

The Beat Generation was a 'beaten down', jazz-influenced American literary movement

The movement, which rose to prominence in the 1950s, was primarily composed of poets challenging orthodoxies of post-war American literature and society. Figurehead Allen Ginsberg and his long poem "Howl" represented a rallying cry for a burgeoning counterculture.

The anatomy of 'Mashle,' as described by a doctor

"Mashle: Magic and Muscles" is a manga and anime in which a seemingly magicless man performs outsized feats he blames on "muscle magic." In this 15-minute video, a doctor breaks down the anatomy and biomechanics of some of the feats performed by Mash, the series' main character who's spotted flying a broom via leg pumping and reading magical texts while sitting in an invisible chair (i.e., single-leg squat).

Political sloganeering is often downstream of memes

In 2018, #JobsNotMobs morphed from an internet meme into a conservative slogan. A video clip of angry protesters mixed with news anchors discouraging the use of the word "mob" posted on October 11, birthed the phrase. By October 19, it was adapted into a Republican party slogan.

Record scratching, a technique that came to define the sound of hip-hop, was invented by a 12-year-old.

Prediction markets have their own lingo that's an amalgamation of Gen Z and Gen Alpha slang

For instance, if you've been out-maneuvered by another trader, you've been "mogged." A "rulescuck" is someone who is a stickler for betting market rules and may try to win on a technicality.

The Martha Graham technique, explained

It's considered the first codified modern dance technique and a foundational pillar of American dance. In this 1975 instructional film, its namesake explains how the Graham technique works. "As you can see," she notes, "the body is capable of almost endless variations and combinations once it is trained."

The Beat Generation inspired significant parts of 1960s counterculture

The Beat Generation championed the transformative power of psychedelics, rebelled against the post-war social order, and called for more radical politics. With a strong foothold in San Francisco, it's no surprise these themes were carried over to the city's 1960s counterculture, informing the larger national hippie movement.

Grinding is a body modification subculture focused technological implants

Grinders seek to increase the intensity and range of body modifications to push "beyond the human norm." The movement's roots stretch back to 1998 when cybernetics professor Kevin Warwick installed an RFID chip in his arm that granted him control over external electronics and became, arguably, the world's first cyborg.

As disco grew more popular, country star Dolly Parton experimented with the genre.

Brutalism's definition has shifted over time

The term originally referred to a modernist style popular in Great Britain following World War II. They were large, optimistic projects that often facilitated community. Later, though, brutalism came to mean buildings primarily made of concrete that appear sinister or authoritarian.

'Shoofly pie' was named after a molasses named after a mule named after a song

Although most people assumed the sweet dessert earned its name for its ability to attract flies, etymologists believe it can be traced back to a molasses brand named after a boxing mule (Shoofly the mule), who was named after a song ("Shoofly Don't Bother Me") that was a play on slang of the time.

Paul McCartney said the Beatles' 'Helter Skelter' was about a playground slide, but Charles Manson said it inspired him to orchestrate 9 murders.

In July 1979, tens of thousands of people rioted on the Chicago White Sox field during 'Disco Demolition Night,' a promotional event that advertised the public burning of the genre's hit records.

‘Rhythm’ 0 was a performance piece that exposed human nature

By inviting the audience to do as they please without repercussions, Abramović showed the public both the beauty and hideousness of human nature. Playful interactions eventually turned into assault, and the performance left her with scars she still wears decades later.

'Move fast and break things' was one of Mark Zuckerberg's early leadership principles

The phrase was plastered across Facebook's office as a representation of the company's hacker mindset that fueled its early growth. However, Zuckerberg said he has since moved away from that motto and has focused more on sustainability as opposed to breakneck growth.

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

Prior to his stint as an artworld superstar, Jean-Michel Basquiat played in a punk band with Vincent Gallo.

Punk band Devo formed after witnessing the Kent State shootings

Band members Jerry Casale and Mark Mothersbaugh were students at the Ohio university when the National Guard shot and killed student protestors. Casale said that the experience led them to pursue the project, which was a satirical critique of mindless consumerism and conformity.