Critic Neil Postman argued modern technology is dystopian

Science fiction or new technology?

Dystopian literature is no longer relegated to the page, with innovations like the Tesla Cybertruck and Meta virtual reality headsets mirroring the aesthetics of texts like "The Running Man" and "Neuromancer." In this essay, Casey Michael Henry argues that the images from these works remain while their messages have faded.

'Dystopia,' explained

John Stuart Mill introduced the term "dystopia" in 1868 to critique harmful policies, calling it the opposite of utopia, or an ideal world. The concept grew as industrialization and totalitarian regimes exposed societal flaws, inspiring works like George Orwell's "1984" to warn against oppression and moral decay.

Dystopian satire became more prominent in the 20th century

Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.

Aldous Huxley, author of 'Brave New World,' wrote to his former student, George Orwell, after the release of '1984,' suggesting that Orwell's vision of dystopia was misguided.

Why dystopian literature remains popular

Yale English professor Joe Cleary argues that dystopian literature’s continued relevance is due to a torrent of additional societal anxieties and that the streaming adaptations of dystopian classics "The Handmaid’s Tale" and "The Man in the High Castle" have expanded the genre’s popularity, introducing new audiences to its tropes.

Orwell warned readers about how abuse of language can lead to dystopias

In his 1946 essay "Politics and the English Language," Orwell argues that language is the primary tool of political control and is "designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." The essay warns readers that how they use and consume language will dictate what they permit—or prohibit—in society.

Dystopian narratives have influenced real-life extremists

J.M. Berger, a senior research fellow at Middlebury’s Center on Terrorism, Extremism, and Counterterrorism, traced how terrorist organizations have latched on to dystopian narratives, with some groups even embracing the texts’ lexicons and iconographies.

Dystopian literature is focused on oppressive societies

The subgenre can come in many forms, but its shared traits are the way it reflects the anxieties and satirizes the utopian thinking of its writers’ societies. One of the earliest examples is Jonathan Swift's "Gulliver's Travels."

The word 'dystopia' was first used in 1868

John Stuart Mill, an English philosopher, economist, and politician, uttered the word at the House of Commons while criticizing what he considered to be the government’s insufficient land policy for the Irish, saying, “What is commonly called Utopian is something too good to be practicable; but what they appear to favour is too bad to be practicable.”

Postmodern novels challenged narrative itself

Postmodernism describes the cultural movement following World War II, which found artists and thinkers responding to the horrors of the war by challenging the conventional narratives they believed allowed for it. In literature, postmodernist writers played with genre, gallows humor, and intertextuality, interrogating the form itself.

Dystopian literature is a form of speculative fiction

The classification includes any fiction that "speculates" about how society might operate in the future or in contexts different from the present reality. The genre is an umbrella term for science fiction, fantasy, alternative historical fiction, dystopian and utopian fiction, and apocalyptic and post-apocalyptic fiction.

What it means to call something 'Orwellian'

The adjective often refers to anything that resembles the dystopian governments of George Orwell, usually a state like the one in "1984" that monitors its citizens to ensure compliance. But as this video essay from Noah Tavlin makes clear, the more precise definition is a society that redefines language to control thought.

Why school boards ban dystopian books

Journalist Ali Velshi analyzes the lasting appeal of Lois Lowry's "The Giver" and George Orwell's "1984," two dystopian novels that have courted controversy since their publications. Beyond his interpretations, though, Velshi wants to understand why school boards perennially ban these books—and what makes them so fascinating for adolescent readers. In his search, he talks to Lowry about the lasting influence of her novel and to Orwell expert James McCallister about the prescient political portrait in "1984."

George Orwell's '1984' is one of the most famous dystopian works

Orwell's life experiences, from living among the poor to witnessing the rise of authoritarian regimes, deeply shaped his worldview. His iconic works, "Animal Farm" and "1984," offered stark warnings about power, control, and propaganda, making him one of the most enduring voices against totalitarianism.

Political science professors say dystopias are defined by government coercion

Shauna Shames and Amy Atchison, two political science professors and the authors of "Survive and Resist: The Definitive Guide to Dystopian Politics,” argue that defining a real-world dystopia depends on whether a government is using coercion to protect its citizens or to control them. Shames and Atchison seek to provide a more nuanced understanding of the word “dystopia,” one they note they began hearing more and more as the COVID-19 pandemic progressed.

Will AI kill us all? A debate

As AI becomes a bigger part of our lives, what does that mean for the future of humanity? The podcast Entanglements hosts a pessimistic former OpenAI employee and an optimistic Princeton professor to discuss whether AI brings dystopia or a brighter future.

'Dystopia' is an inversion of Sir Thomas More's 'utopia'

The word is derived from the Greek for “bad place," but it's also an inversion of “utopia,” a term popularized by Sir Thomas More in his 1516 book, "Utopia," which imagined an ideal society free of oppression, inequity, and want. More recognized this place was a fantasy; "utopia" is derived from the Greek for "no place."

Why some writers believe there's a new romanticism

Journalist and novelist Ross Barkan argues that a crushing political system and alienating technology have led people to become more interested in the offline, analog world and the beauty of nature and emotion. In this essay, he defines this as "the new romanticism," and predicts it will come to define the culture of the 2020s.

How 'Star Wars' changed science fiction

The popularity of "Star Wars" shifted the market away from the more literary, and sometimes cynical, science fiction of the 1960s and '70s. In the wake of George Lucas' space opera, publishers and studios wanted similarly optimistic adventure stories. In time, though, writers like William Gibson would react against that and, in turn, create the "cyber punk" subgenre.

Social psychologist Jonathan Haidt, author of 'The Anxious Generation,' contends that children are losing the ability to pay attention as they spend half their lives perusing social media content designed to hook them.

Mapping fiction's imagined breakdowns of the US after apocalypse

Post-apocalyptic fiction in the US is at least a century old, and how the future is envisioned reflects contemporary anxieties and divisions. This piece examines the various creative maps birthed from the tradition from Jack London's 1912 "The Scarlet Plague," a pandemic novel set in 2073, through Stephen King's "The Stand", dystopian "The Hunger Games," and visions of civil war.

Unpacking the famous argument in the 'Are We Living in a Computer Simulation?' paper

In 2003, philosopher Nick Bostrom published a paper in a journal arguing the technological possibility that humanity is living in a simulation. The argument, while popularly mocked (or cheered), is presented seriously in the paper. This podcast episode explores the contours of the arguments in an accessible way.

Read the scathing review of '1984' by science fiction legend Isaac Asimov

Asimov, the author of the "Foundation" series and a major figure in science fiction, tore Orwell's novel apart in a 1980 review, writing, "This is not science fiction, but a distorted nostalgia for a past that never was."

Sci-fi writer Jeff VanderMeer writes dystopian fiction about the environment

Noted science fiction writer Jeff VanderMeer discusses his 2014 novel "Annihilation," which uses climate change as a dystopian frame. VanderMeer notes that he’s not interested in cynicism, even though that’s how most people view dystopian literature. “I’m not a fan of fiction that’s totally hopeless,” VanderMeer says. “You find ways of documenting the world as it is and you wind up redefining utopia and dystopia.”

Critics argue social media made 'foodie' culture increasingly superficial

For 40 years, being a "foodie" meant possessing knowledge and expertise about ingredients, restaurants, and flavors. Now, the author argues, being a foodie has more to do with documenting aesthetically pleasing meals than critical consumption. She argues for increased attention toward the complex systems that bring food to our tables.

Music writer Paul Morley believes opera is an antidote to social media consumption

Music writer Paul Morley weighs in on the debate about the relevance of opera. While acknowledging criticisms that opera is snobbish and outdated, Morley argues the lengthy, emotive, and literary art form presents an important intellectual opposition to today’s world of fast-paced online consumption. Opera endures because it provides hope.

While robots tend to become more appealing the more humanlike they appear, beyond a certain point, humans have exhibited uneasiness and fear—a phenomenon known as the uncanny valley.

How to prevent a worst-case scenario with synbio

Author and entrepreneur Rob Reid reviews the risks of a world where more and more people have access to the technology needed to create a doomsday bug that could wipe out humanity.

Dystopian books have grown especially popular with younger audiences

In the late 2000s, Suzanne Collins’s dystopian "The Hunger Games," a young adult book series where impoverished children are pitted against one another for entertainment, spent over five years on The New York Times bestseller list.

Postmodernism is a cultural movement that valued pluralism

Postmodernism is an artistic movement (in architecture, fashion, music, literature, and more) that embraced fragmentation, eclecticism, pastiche, and pluralism. The movement's practitioners reacted against modernism, which valued Enlightenment ideals, high culture, and clean aesthetics.

Read a book making the case for 'smart enough' cities

University of Michigan professor Ben Green argues that cities should be enhanced by technology rather than driven by it, thereby preventing injustice and inequality beneath their surface. By embracing social change in conjunction with smart technologies, residents, Green suggests, can avoid valuing such technologies as ends in themselves.

A visual guide to Hollywood dystopias and their real-world locations

Even the most dire dystopias are grounded in the real world. That's especially true with dystopian movies, which turn real cities into near-future nightmares. This guide from Atlas Obscura takes readers on a tour through some of the most recognizable, from "Blade Runner" (filmed in Los Angeles) to "Total Recall" (Mexico City, Mexico), "The Matrix" (Sydney, Australia), and more.

Beat Generation iconoclast William S. Burroughs once appeared in a Nike ad, singing the praises of 'new technology.'

One teacher's lesson on existentialism and social media use

During a unit on existentialist literature and philosophy, one teacher at Massachusetts’ Phillips Academy asked students to surrender their cell phones to test Kierkegaard’s thoughts on the danger of conformity and Sartre’s belief that humans are “condemned to be free.” Many of them were surprised to find how liberated they felt once they left behind social media.

The 21st-century novel is increasingly autofictional

Although autofiction, a literary genre blending autobiography and fiction, has been around for millennia, it has become a popular mode in the 21st century. This extensive study of the genre—which analyzes works by Megan Boyle, Tao Lin, and others—argues that the form has become more prevalent because it mirrors the defining technology of the times: social media.

Is streaming the new novel?

Ever since the rise of “prestige television” in the early 2000s, critics and viewers alike have argued that TV has replaced the novel by becoming the most significant storytelling medium, citing the cultural importance of shows like “The Sopranos,” “The Wire,” and “Succession.” This essay notes that streaming has strengthened that argument, turning episodes into chapters, and explains why this has been bad for storytelling in both forms.

Writer William Gibson invented the term 'cyberspace'

The science-fiction writer coined the term in his 1982 short story "Burning Chrome" to describe "a consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts...A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding."

The origin of cyborgs

The term "cyborg" was coined in a 1960 academic paper discussing what alterations humans would need to undergo to survive in extraterrestrial environments, a venture far "more logical than providing an earthly environment" in space. According to authors Manfred E. Clynes and Nathan S. Kline, Cyborgs with a capital C have incorporated exogenous components that extend their ability to adapt to new environments. Read the paper here.

Activity trackers promise to improve health by forcing us to examine the facts

Explore how modern fitness culture, rooted in capitalist ideals of productivity and control, shapes our perception of health and self-worth. The author blends cultural criticism with personal insight to examine the contradictions of the wellness industry, the rise of wearable tech, and what it means to "optimize" a body.

Where to start with dystopian literature master Octavia Butler

Rather than simply forecasting events, which she managed with startling accuracy, Butler used dystopian science fiction to explore racial and environmental issues, leaving behind a body of work that was both innovative and thought-provoking. This guide will show you where to begin.

Disconnecting from technology can be made easier by turning off notifications, making nonessential apps and devices harder to access, and opting for 'dumb' devices, such as a film camera.

Listen to tech company Palantir's CEO Alex Karp discuss the threat of a surveillance state.

As thousands of lawsuits proceed against social media companies for alleged harm, social psychologist Jonathan Haidt lays out the seven main arguments for holding social media companies legally responsible.

Is life all about pleasure? Debating the Experience Machine

If you could plug into an Experience Machine that gave you total pleasure all the time, would you do it? Philosopher Robert Nozick thinks you wouldn't, using this as evidence against hedonism, the view that life is all about pleasure. Explore the nuances of the argument and counterarguments with this accessible article.

Pop art explored the concepts of mass production and consumerism

Consumerism emerged from industrial capitalism, promoting the idea that consuming goods was linked to personal success and happiness. Artists, especially pop artists, approached this cultural phenomenon through various perspectives, some supportive of consumerism and others against. Figures like Andy Warhol embraced mass media imagery and mimicked its style, while many artists rejected the “commodification” of things by creating art that couldn’t be sold or focusing on experiences rather than objects.

Critic Harold Bloom believed Shakespeare invented the modern human

Yale critic Harold Bloom believed the Bard transformed the way humanity understood itself, a thesis laid out in his book "Shakespeare: The Invention of the Human."

Our phones can provide a dopamine hit because of our positive associations with them, which feeds into what some psychologists call social media addiction.

One journalist argued New Journalism writers prioritized ego over public service

Michael J. Arlen wrote a critique of the then-fashionable and popular form for The Atlantic in 1972, warning about the risk of emphasizing a writer’s perspective over facts. While Arlen applauded the innovation of the style, he believed focusing on voice and perspective could be irresponsible.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

Orson Welles' 1938 broadcast of 'War of the Worlds' invoked real panic

The raconteur's teleplay of HG Wells' 1898 science fiction novel presented the plot as a news broadcast, leading some listeners to believe that New Jersey was being invaded by Martians. This retrospective from the National Endowment for the Humanities unpacks how he made it happen, and the media fallout that ensued.