Read the New York Times profile of TAKI 183

TAKI 183 was a teenager whose graffiti drew widespread attention

Inspired by graffiti he saw throughout the city—including some tags he saw as early as 1964—the 16-year-old began tagging surfaces with "TAKI 183," a reference to a Greek nickname for Demetrius and his street (183rd) in Washington Heights. After a 1971 New York Times profile, his tag—and graffiti culture in New York—exploded.

Read the New York Times Magazine’s 1985 cover story on Basquiat

The profile, entitled “New Art, New Money,” captures the artist in the middle of his rise to fame. It also hints at some of his frustrations with that position. In talking about the demands a gallery placed on him, he said, ''I wanted to be a star … not a gallery mascot.'' (Some readers may experience a paywall.)

New York mayor Ed Koch railed against graffiti in the '70s and '80s

Koch was outspoken in his hatred of the form and, during his three terms, launched an anti-graffiti campaign with the help of several New York celebrities. This 1984 BBC report documents some of the scorn graffiti artists had attracted, including from Grace Glueck, the New York Times' art critic, who said, "I don't consider it an art form on canvas at all."

After the death of jazz legend Charlie Parker, Beat Generation poet and artist Ted Joans adorned New York's walls with some of its earliest graffiti that read 'Bird lives!'

Basquiat helped move graffiti from the streets to the galleries

He took graffiti's aesthetics—cryptic slogans, bold colors, and repurposed iconography—and placed them on his canvases, helping to create what some called "post graffiti." These short documentaries, produced in 1982 and 1983, capture the nascent movement as it emerged in the mainstream art world.

View photos of classic New York graffiti

Henry Chalfant was one of the foremost documentarians of early graffiti and hip-hop culture, photographing some of the era's most iconic pieces and playing a part in the genre-defining "Style Wars" film. This interview with him is accompanied by some of his photos from an exhibit at the Bronx Museum of the Arts, showcasing the art form as it came into its own.

As graffiti grew more popular, New York worked to stop it

In 1972, the NYPD made over 1,500 graffiti-related arrests. By 1973, the city was annually spending $10M to remove and limit graffiti. That same year, a poll conducted by an anti-graffiti task force found that the "vast majority" of residents did not consider graffiti to be art.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

One Martin Wong painting contains a secret homage to graffiti culture

After the Metropolitan Museum of Art acquired painter Martin Wong's "Houston Street," they discovered there was another work on the back of the canvas that featured contributions from some of the luminaries of the 1980s New York graffiti scene.

One graffiti artist turned a train tunnel into his gallery

Chris Pape, also known as Freedom, began exploring a tunnel under Manhattan's Riverside Park when he was a kid. As he grew more involved with graffiti, he turned its walls into a massive art project, one that reflected both the history of graffiti and the people who made the tunnel their home.

New York named a street after Basquiat in 2025

The influential pop artist made his name (and developed his unique graffiti-inflected style) in the city's East Village. In 2025, the city added his name to one of the neighborhood's streets in his honor. (Some readers may experience a paywall.)

The documentary 'Style Wars' captured graffiti at its height

The film explored the tension between graffiti's innovation and its illegality, following some of its most popular artists, such as Mare 139 and Futura, as well as its detractors, including Mayor Ed Koch. The documentary first appeared on PBS in 1983, introducing the movement to a national audience. You can watch it in its entirety below.

Keith Haring was inspired by graffiti's accessibility

The visual artist—known for his vibrant pop art—loved how graffiti was a democratic form, available to everyday people who wouldn't otherwise visit museums or galleries. He began drawing chalk murals in New York subway stations, remarking that it was an ideal venue because it attracted a diverse audience.

Banksy turned graffiti into high art

The anonymous artist is renowned for his puckish, often stenciled street art. He's also known for the eye-popping sales those works command once they're up for auction. This podcast dives into the history of the singular artist, exploring how a British graffiti artist became a cultural icon.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

How a Seattle scenester pranked The New York Times with ridiculous grunge 'slang'

In 1992, The New York Times was eager to report on the grunge phenomenon. When a Times reporter called Megan Jasper, who'd previously worked at Sub Pop, she decided to have some fun, feeding him a fake "Lexicon of Grunge."

In the '70s, graffiti moved to subway cars

Unlike static walls, the silver cars moved throughout the city, like a canvas in perpetual motion. That made them highly desired by graffiti artists, especially because tagging them was considerably more difficult and, in turn, more impressive than a simple tag in an alley.

A 1981 review helped propel Basquiat into superstardom

“The Radiant Child,” featured in Artform in December 1981, presented Jean-Michel Basquiat (and, to a lesser degree, Keith Haring) as the genius of the post-graffiti art movement. The critic, Rene Ricard, wrote that, “[o]ne or two words on a Jean-Michel contain the entire history of graffiti.”

Trove of posthumous paintings reveals Basquiat's technical skill and process

The Louisiana Museum of Modern Art exhibited 50 paintings by the artist in 2026 that had not been shown before. Focused primarily on heads and anatomy, the artworks are touched with signs of his process: smudges, footprints, splashes. The exhibit is annotated with comments from contemporary artists on Basquiat's visionary skill, with some describing him as one of the world's greatest. View a sampling and read more about them here.

View Jean-Michel Basquiat's artwork

The iconic artist had a short career, but he produced a massive body of work and changed the style of American art by bringing together pop art, graffiti, hip-hop, and punk. His work still hangs in galleries across the world. View scans of the most famous ones here.

Before using his own name, Jean-Michel Basquiat tagged his graffiti as SAMO

In the late '70s, Basquiat, alongside Al Diaz, began tagging downtown New York with the name "SAMO©," usually followed by a phrase criticizing the art establishment. The tag became notorious in the New York art scene, and Basquiat eventually revealed he was behind it.

The theory behind public art

Proponents of public art, including graffiti, argue that its free access and visibility breaks down the elitism and financial barriers of galleries and museums, allowing people to interact or ignore the work as they see fit.

Graffiti has its own visual language, including simple 'tags,' large block letters, and complex 'pieces.'

Archaeologists discovered over 11,000 examples of graffiti in ancient Pompeii

Residents drew various figures and announcements on homes, temples, and walls, much of it preserved by volcanic ash. While some were clearly intended to be artistic, scholars have noted that the ancient graffiti has more in common with social media than with the tags and murals we associate today with the art form.

Banksy once sold his highly valued artwork on the street for $60

The notorious (and anonymous) street artist has a history of sending up the art world's pretensions. In 2013, he sold his artwork, valued at approximately $20K per piece, for $60 on a New York street. Some unassuming, but apparently aesthetically discerning, patrons took home world-renowned work that day at a steep discount.

Cities and parks often work to prevent graffiti

Although some call it art, many see it as an eyesore and try to prevent it through prohibitive designs, lighting, and vandal-proofed coatings that make spray paint easier to remove. This guide from the Project for Public Spaces outlines some of those strategies and more.

A graffiti artist breaks down the fundamentals of the form

Graffiti is more than just tagging a name. Legendary street artist Carlos Mare, also known as Mare 139, breaks down how to paint several of the form's popular styles and motifs, from quickly drawn throwies to intricately planned masterpieces.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

A reading of ancient Rome's best graffiti

Graffiti has been surprisingly common throughout history, and even the grandeur of ancient Rome's walls wasn't spared. This clever and funny video reads through some of the more notable messages relayed via graffiti in ancient Rome, from tidbits of wisdom like "A small problem gets larger if you ignore it" to more unsavory observations of lovers, friends, and enemies.

Osamu Dazai's 'No Longer Human' found a new generation of readers, thanks to TikTok

The novel was published in 1948, a month after the writer's suicide, and went on to become a classic of Japanese literature. Decades later, an English translation gained popularity on TikTok, where younger readers praised the book for its handling of alienation. (Some users may experience a paywall.)

Writer Gay Talese has unorthodox practices for researching his stories

Since Talese began working at the New York Times in the 1950s, he has woven eccentric details into his stories about the people he covers. His immersive journalistic methods, such as living in a nudist colony, sparked controversy, but also helped him uncover aspects of people's lives.

Philadelphia's Cornbread claims to be the first modern graffiti artist

Darryl McCray began writing his nickname, "Cornbread," across his hometown of Philadelphia in the 1960s. That style was a way of posting a personalized signature across neighborhoods and would become known as "tagging." In time, that style spread to New York, where it took off among other young people.

A gallery of New York cats alongside their feline reflections

Comedian Jim Tews began capturing photos of cats from the Big Apple in 2014 as a joke mimicking the highly popular site "Humans of New York," which captured random New Yorkers accompanied by their quotes. The site grew in popularity and Tews...

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Hunter S. Thompson’s ‘Hell’s Angels’ gave inside look at a notorious motorcycle gang

What began as an article turned into roughly two years of Thompson’s life spent riding with the infamous Californian gang. By absorbing himself in their lifestyle, he gave the American public a look into their partying, drinking and violence.

The Guggenheim houses works from some of pop art’s biggest names

British writer and curator Lawrence Alloway was an early champion of pop art—some claim he coined the term in 1958. He organized the 1963 “Six Painters and the Object” exhibition at the Guggenheim, featuring heavy hitters including Johns, Lichtenstein, and Warhol.

Alfred Stieglitz was a significant photographer in the American modern art movement

Stieglitz took hundreds of famous portraits of O’Keeffe and helped cement her reputation in New York by showcasing her work in his famed gallery. (This resource contains some artistic nudity.)

Graffiti's lexicon includes slang for methods and aspirations

Quickly covering an area with graffiti, often fast tags and throwies, is called "bombing," a word that's intended to evoke images of an aerial raid. "Heaven" is a double entendre: It's a very high spot, both desirable and potentially fatal.

Gay Talese ran up expenses close to $5,000 to pursue ‘Frank Sinatra Has a Cold’

In this retrospective, Talese reflects on the making of the legendary article that pioneered a new literary style. He offers his critiques of the modern state of profiles, arguing the industry no longer produces compelling work.

Tattoos suppressed during colonization are experiencing a revival

A few decades ago, the distinct facial tattoos worn by Maori people were on the brink of disappearing. Then, Maori artists brought the cultural practice back into the spotlight. This TVNZ story follows one reporter’s mother as, at 59 years old, she receives tā moko from a Maori artist.

Basquiat's crown motif acts as an artistic signature

While tagging graffiti across New York, Basquiat began to appreciate the power of repetition and branding, especially while establishing mystique through his “SAMO” tag. Some art critics argue that his crown motif serves a similar purpose, enabling viewers to recognize his work immediately.

Cartoonist Thomas Nast helped bring down Boss Tweed, one of America's most corrupt political bosses.

An anthropologist spent years riding garbage trucks to understand what our trash says about us

Robin Nagle rode with New York City sanitation workers to trace the hidden life of what we throw out. Her research explores what the things we discard reveal about who we are. 1440 explores the hidden life of trash.

An indie film helped launch Basquiat's art career

Basquiat starred in “Downtown 81” as a struggling artist, which was not far from reality. In fact, the paintings that he carries throughout the film are some of his earliest works. The production gave him canvas and paint, which he used to create other paintings.

1970s New York was viewed by many as a city in decline

By 1975, the city owed $5B to $6B in short-term debt; over a million manufacturing jobs had left the city since the end of World War II. Meanwhile, the murder rate was more than double than 10 years earlier. Graffiti was seen as illegal vandalism perpetrated by unsupervised teenagers and was viewed by some as emblematic of the larger societal decline.

Gutai, a Japanese form of performance art, used the body as a canvas, anticipating the Westernized version of the art form by several decades.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Indigenous art's influence on pop art often goes uncredited

Keith Haring’s iconic imagery, often known for its accessibility, was deeply inspired by the artwork of the Indigenous people of Australia. Their artwork influenced aspects of Haring's paintings, such as flat block colors and symmetrical compositions. While some critics find Haring to have appropriated their culture, others find his work to be pushing a message of unity and togetherness.

A look at Barcelona's contemporary art scene

Barcelona is no stranger to influential artists: Antoni Gaudi, Joan Miró, and Pablo Picasso, to name a few. It was the cradle of the Catalan Modernism and Art Nouveau movements in the 19th and 20th centuries. Art continues to be an important form of expression in Barcelona, but style is always evolving. This piece introduces readers to the obscure neighborhoods and budding galleries shaping Barcelona's contemporary art scene.

See how faces on magazine covers have changed over time

This piece examined an archive of Time magazine containing 3,389 issues ranging from 1923 to 2014, focusing on 327,322 faces from the archive. Read what the researchers learned.