Gay Talese ran up expenses close to $5,000 to pursue ‘Frank Sinatra Has a Cold’

Listen to Gay Talese read from ‘Frank Sinatra Has a Cold’

The writer revisits his 1966 profile on Frank Sinatra, one of the most popular magazine stories ever written. The story uncovered aspects of Sinatra’s life previously unknown to most people, such as having a personal staff of 75 people, including one person to take care of his hairpieces.

Gay Talese's 1966 Frank Sinatra profile was written without an interview with Sinatra

After numerous rejections from Sinatra, Esquire, and writer Gay Talese continued to pursue the profile, gathering information from observing Sinatra and interviewing friends and fans of his. Readers (and future writers) admired the way Talese captured the many layers of Sinatra’s personality from his generosity to his short temper.

'Frank Sinatra Has a Cold' is one of the seminal works of New Journalism

The profile broke with convention by focusing on the story of pursuing the story rather than one that celebrated the subject. Vanity Fair called it "the greatest literary-nonfiction story of the 20th century." (Some users may experience a paywall.)

Talese’s story on Joe DiMaggio examined the sports star’s life post-retirement

The profile, written in the aftermath of his popular “Frank Sinatra Has a Cold,” similarly offered a close look at an American icon after their prime. In DiMaggio’s story, however, the Yankees player seeks to vanish into obscurity and live a quiet life, golfing and mourning his ex-wife Marilyn Monroe.

Writer Gay Talese has unorthodox practices for researching his stories

Since Talese began working at the New York Times in the 1950s, he has woven eccentric details into his stories about the people he covers. His immersive journalistic methods, such as living in a nudist colony, sparked controversy, but also helped him uncover aspects of people's lives.

Gay Talese never fully accepted the title ‘New Journalism’

“I don't think it was new, and I don’t think it was journalism,” he said. He instead viewed what he and other writers were doing as defining reality using a storytelling technique. In other words, storytelling that wasn’t fiction.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Read the New York Times Magazine’s 1985 cover story on Basquiat

The profile, entitled “New Art, New Money,” captures the artist in the middle of his rise to fame. It also hints at some of his frustrations with that position. In talking about the demands a gallery placed on him, he said, ''I wanted to be a star … not a gallery mascot.'' (Some readers may experience a paywall.)

Critics of New Journalism believe the form shares unreliable information

After Gay Talese’s 2016 book on Gerald Foos was found to lack factual accuracy, criticism of New Journalism returned to the limelight. Some believe the narrative focus requires abandoning the facts and leaves too much room for writers to make up material rather than present what actually happened.

‘The Kentucky Derby Is Decadent and Depraved’ signaled the birth of Gonzo Journalism

The 1970 essay opens with a crude conversation between Hunter S. Thompson, the author, and a man at an airport bar. Thompson’s first-person account places him as an active participant. Instead of focusing on the race itself, Thompson paints vivid details of his experience with the hedonistic scene surrounding it.

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

One journalist argued New Journalism writers prioritized ego over public service

Michael J. Arlen wrote a critique of the then-fashionable and popular form for The Atlantic in 1972, warning about the risk of emphasizing a writer’s perspective over facts. While Arlen applauded the innovation of the style, he believed focusing on voice and perspective could be irresponsible.

In 1969, a group of reporters wrote an intentionally bad and salacious novel under a pen name to prove that sex sells more than quality. It sold 20,000 copies within a few months and spent 13 weeks on the New York Times Bestseller list.

Craig Claiborne invented the modern food critic

The New York Times critic began his column "Directory to Dining" in 1962. While there had been restaurant reviews before then, Claiborne's ethical standards and appreciation for a variety of cuisines established a new kind of food critic and, in the process, a new kind of eater. (Some readers may experience a paywall.)

Terrible performance art: an insider's perspective

David Sedaris may be known for his writing now, but when he was in college, he thought his future was in the art world. Specifically, the performance art world. In this episode of NPR’s This American Life, Sedaris shares a selection of moments from his career as an artist, each more embarrassing than the last. The kicker? Being heckled from the audience—by his own father.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Why Frank Sinatra called Billie Holiday his 'greatest single influence'

In a 1958 essay for Ebony magazine, Sinatra wrote about the impact that Black music had on him, writing that "it is Billie Holiday, whom I first heard in 52nd Street clubs in the early 1930s, who was and still remains the greatest single musical influence on me. It has been a warm and wonderful influence, and I am very proud to acknowledge it."

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

'Saturday Night Fever,' the 1977 film that introduced disco to the mainstream, was based on a fabricated magazine story.

Catching up with hobby icon Sy Berger

In 1952 baseball card company Topps printed two series of cards. The first series sold well, but the late-season series, numbered 311-407 and included Mickey Mantle, didn’t. Read the first-hand account of how Topps couldn't’ even give the late-season series cards away and dumped an estimated 500 cases into the Atlantic Ocean in 1959. Decades later, it created a scarcity that drove the price of that Mantle card to $12.6 million.

In 1922, Zelda Fitzgerald was commissioned to write a satirical review of her husband's latest novel

The review of "The Beautiful and the Damned" might have been comedic, but it was also illuminating, allowing Zelda to acknowledge her husband's tendency to use material from her diaries in his fiction and interrogate the way female characters were often portrayed in novels written by men.

Bruce Springsteen was initially so unhappy with his album 'Born to Run' that he threw it in a swimming pool.

How a Seattle scenester pranked The New York Times with ridiculous grunge 'slang'

In 1992, The New York Times was eager to report on the grunge phenomenon. When a Times reporter called Megan Jasper, who'd previously worked at Sub Pop, she decided to have some fun, feeding him a fake "Lexicon of Grunge."

Minnelli's concert with Frank Sinatra and Sammy Davis Jr. was considered 'The Ultimate Event'

Called "The Ultimate Event," the three legendary singers joined for a rare concert tour in the late 1980s. The show was released as a TV special shortly before Davis died from cancer.

A writer's reflection on 'The Falling Man' - the man who fell from the World Trade Center

In an excerpt from his ‘Press Box’ interview with Bryan Curtis, writer Tom Junod discusses his Esquire story about the image of a man who fell or jumped from the North Tower on Sept. 11, 2001.

Walt Whitman wrote a temperance novel

Before “Leaves of Grass” there was “Franklin Evans,” a novel about a young man whose drinking ruins his life. Whitman all but disowned the novel for the rest of his life, though critics note that he preached teetotaling throughout his life.

'Shipping Out' can be viewed as a more recent example of subjective journalism

Later retitled "A Supposedly Fun Thing I'll Never Do Again," Wallace's essay details his existential experience on a cruise ship with biting wit. Arguably more Gonzo than New Journalism, Wallace laments the pressure to have fun in the commercialized cruise atmosphere that brings out feelings of dread more than pleasure.

He made a name with a short story about jumping frogs

Twain’s first big break came with “Jim Smiley and His Jumping Frog,” a fictitious story that appeared in a 1865 edition of the New York Saturday Press. (When it was republished elsewhere, the title was changed to “The Celebrated Jumping Frog of Calaveras County.”) That year, American poet James Russell Lowe called it “the finest piece of humorous literature yet produced in America.”

Read the New York Times profile of TAKI 183

The 1971 article about the young graffiti artist and his many acolytes exposed the burgeoning subculture to a large audience and also detailed the effort to clean the work from the city's walls. (Some readers may experience a paywall.)

Gonzo Journalism places the author at the center of the events

Some may describe Gonzo as a more daring style of subjective reporting than New Journalism, as it prioritizes the personal experience and opinions of the writer. Gonzo pieces also tend to feature hyperbole, comedy and taboo subjects.

Bruce Springsteen's song 'Born to Run' took six months to record, with the singer-songwriter desperately trying to perfect it to save his career.

JD Salinger served in World War II while working on a draft of his most famous novel, 'The Catcher in the Rye.'

'You only go around once, but if you play your cards right, once is enough.'

- Frank Sinatra (1915–1998)

Truman Capote's 'In Cold Blood,' a pioneer of the true crime genre, isn't wholly accurate

The nonfiction novel "In Cold Blood" influenced true crime's narrative and investigative bend and was supposedly only 92% accurate. Journalist Ben Yagoda reflects on its accuracy after finding the fact-checking file for the four-part series published before the story was converted into hardback. Yagoda says the inaccuracies are "especially striking" because the story was originally published in one of the magazines credited with establishing fact-checking as a practice. (Some users may experience a paywall.)

Writer James Baldwin once criticized Langston Hughes for squandering his talent

In 1959, Baldwin, the author of renowned works like “Go Tell It on the Mountain” and “Giovanni’s Room,” reviewed Hughes’ “Selected Poems” for the New York Times. Baldwin panned the book, writing, “Every time I read Langston Hughes I am amazed all over again by his genuine gifts—and depressed that he has done so little with them.” (Some readers may experience a paywall.)

Twain was a notoriously bad investor

After becoming a famous writer, Twain invested in railroad stocks, a magnetic telegraph, and a printing press that weighed four tons. Eventually, he founded his own publishing company, which ultimately led to his bankruptcy. “He is, in business,” one lawyer said, “just a big overgrown boy.”

In 2008, one writer demonstrated the fickle nature of wine reviews

Robin Goldstein submitted a fake restaurant to the well-respected Wine Spectator for a competition. He created a website for the fake Milan-based business, complete with a menu of wines the magazine itself had disparaged. That didn't stop Wine Spectator from naming Goldstein's ruse among that year's winners.

Jon Landau reviewed a Springsteen show, then became his manager

Jon Landau reviewed a Springsteen show, then became his managerJon Landau, a writer for a Boston newspaper, saw Springsteen and his recently-named E Street Band perform in 1974 and wrote, "I saw rock and roll future, and its name is Bruce Springsteen." He would go on to coproduce "Born to Run" and work as Springsteen's manager for decades.

Joan Didion interviewed The Grateful Dead in 1967, before they became music icons.

Philip Glass drove a taxi in his 30s and 40s, something he continued even after his critical breakthrough, 'Einstein on the Beach.'

Biographer Ron Chernow believes Twain's legacy embodies 'the best and worst of our culture'

Twain’s childhood hometown of Hannibal, Missouri, attracts countless tourists seeking Twain-themed reenactors and museums. Ron Chernow, author of a 2025 about the writer, argues that the ongoing interest in Hannibal and in Twain’s writing is because his work and life typify the American experience.

JD Salinger, author of 'The Catcher in the Rye,' stopped publishing in 1965, though he continued writing until his death in 2010, with some estimates saying he completed 5 additional books.

Autograph hunters form secretive networks to trade celebrity access tips

Inside the rarefied world of the autograph collector, individuals who will go to great lengths to gather celebrities' signatures.

The Nobel Prize committee was not enthusiastic about selecting John Steinbeck, whom they considered past his prime.

Ernest Hemingway’s worst boss

Before international fame and the Nobel Prize in Literature, Ernest Hemingway toiled under the harsh rule of the assistant managing editor at the Toronto Daily Star. Learn about the American writer’s difficult early career as a features writer with a job so demanding he had to miss the birth of his first son. However, thanks to that harsh boss, Hemingway asserted boundaries, left journalism, and began his legendary career writing fiction.

How literary agent Scott Meredith invented the modern book auction

Prior to the 1964 auction of "The Night Action" for $13,500 to New American Library, a gentleman's code persisted in the literary world: no manuscript should be shared with more than one publisher at a time. Meredith—the agent behind Norman Mailer, Carl Sagan, and Arthur C. Clarke—leveraged his deep knowledge of the talent pool to publishers, sending around manuscripts to 19 different publishers to generate a bidding war. The Beat-influenced novel eventually flopped and is now out of print.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

A lost Jack Kerouac story was discovered in the belongings of a gunned-down mob boss

The unpublished "The Holy, Beat, and Crazy Next Thing" was found in the belongings of Paul Castellano, who was murdered in 1985. It's unclear why Castellano had it, though an heir says it was originally in the collection of a "noted San Francisco-based poet...who received it directly from the author."

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

The first draft of the classic American novel 'Of Mice and Men' was torn to shreds by John Steinbeck's dog.