The Martha Graham Dance Company was the first integrated Broadway dance company

Why the US State Department sponsored Martha Graham Dance Company tours

The Graham company toured the globe several times on cultural exchange campaigns throughout the 1950s. Some believe that the Graham company in particular was chosen because it was the first integrated dance company in the US, thereby countering international perceptions of American segregation and racism.

Martha Graham's revolutionary approach to choreography

The dancer and choreographer created a uniquely American form of ballet that brought together stories from the country's history, abstract expressionism, modern psychological ideas, and collaborations with other major artists.

How Martha Graham challenged ballet's rigidity

Ballet prized lightness, but Graham's choreography emphasized weight. This essay explores how her work broke from European influences to embrace American idioms, much as her American contemporaries in jazz and literature did.

The Martha Graham technique, explained

It's considered the first codified modern dance technique and a foundational pillar of American dance. In this 1975 instructional film, its namesake explains how the Graham technique works. "As you can see," she notes, "the body is capable of almost endless variations and combinations once it is trained."

Watch Martha Graham perform 'Heretic'

The 1929 piece features Graham in white, expressively dancing on her own, flanked by 12 dancers in black who follow a more rigid choreography. Some critics have argued the piece was an allegory for Graham's rebellion against ballet's strict traditions.

A visual biography of Martha Graham

This history of the modern dancer's life uses archival photos and videos to illustrate how Graham's childhood, especially her upbringing by a psychiatrist and her early dance performance, set the stage for her career.

How the Martha Graham Dance Company experiments with technology

The dance company was the first major group to livestream rehearsals and has collaborated with Google on a version of Graham's "Lamentation" that superimposes past performances on the present-day dancer.

View a gallery of vintage photos of Martha Graham's performances

Graham's choreography was as visual as it was physical, complemented by the modernist set design of Isamu Noguchi. That's on display in this collection of artful photos from classic productions of shows like "Night Journey" and "Appalachian Spring."

Listen to an interview with Martha Graham from 1974

This interview, from the "Bernard Gabriel Views the Music Scene" program, features a candid conversation in which Graham discusses how her career did not take off until her 30s and how she learned to ignore criticism.

Martha Graham refused to perform at the 1936 Berlin Olympics because she believed doing so would be a tacit endorsement of the Nazis

Exploring Martha Graham's 'love of the body'

The innovative choreographer encouraged her dancers to tune into their bodies' natural movements. According to Kimerer L. LaMothe, author of "What a Body Knows," that kind of mindfulness made them better able to communicate a piece's symbolic meaning.

Listen to the last-known interview with Martha Graham

Reporter Michael Small interviewed the influential choreographer and dancer in 1989 for People magazine, two years before she died, and features the 95-year-old looking back on her life and career. If you want to skip ahead to the raw audio, jump to 26:40.

Martha Graham on preparation and discipline

This clip from the 1957 documentary "A Dancer's World" features the dancer explaining why she has committed all of her energy to her art. "Spontaneity … is something arrived at over years and years of training," she says. "It's not a mere chance."

Watch Martha Graham perform 'Lamentation,' an influential piece on grief

Graham choreographed and performed the piece about grief, which premiered in 1930. The dance is performed while seated, with Graham's character attempting to free herself from an all-encompassing purple jersey.

Watch Helen Keller visit Martha Graham's studio

The two women were friends, and Keller eventually visited Graham's studio while her company was rehearsing. In this footage of that encounter, Graham shows Keller the shape of her choreography.

A step-by-step guide to the Martha Graham technique

This BBC explainer walks you through Martha Graham's famous approach to dance, offering you six moves you can work into your exercise regimen—or Graham-inspired routine.

How Martha Graham's 'The Rite of Spring' imposed order on chaos

Stravinsky's "The Rite of Spring" is famously chaotic, making it an odd choice for Graham's highly precise style. Her 1984 choreography for it, however, redefined how people saw the ballet's score. Graham's version is still performed today; below is an excerpt from a 2018 performance in Paris.

Martha Graham's philosophy of creativity

The influential choreographer and dancer once said that creative people will never be satisfied with their work. Instead, "there is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others."

Unpacking 'Night Journey,' Martha Graham's take on a Greek myth

The dance piece was inspired by the story of Oedipus, as well as by more contemporary psychoanalytic theories from Sigmund Freud and Carl Jung. This JSTOR article explores how Graham's piece merged those texts with her singular approach to movement to explore gender and identity.

Watch a performance of the influential ballet 'Appalachian Spring,' with music by Aaron Copland and choreography by Martha Graham.

‘A Raisin in the Sun’ made history in 1959

The play was the first on Broadway written by a Black woman. Lorraine Hansberry, the playwright, was 29 when it debuted at the Ethel Barrymore Theatre on March 11, 1959.

The story behind Copland and Graham's 'Appalachian Spring'

The ballet, which premiered in 1944, was conceived by the composer and choreographer through the mail, with the two corresponding about how the music might fit the dancing. Later, designer Isamu Noguchi would design a set that whittled the western Pennsylvanian pioneer town down to its core elements.

In 1956, Althea Gibson became the first Black Grand Slam champion

From 1944 to 1956, Althea Gibson dominated the American Tennis Association circuit, all while Jim Crow laws denied her entry into tournaments or even a hotel room like her fellow white competitors. This Wimbledon video shows her experience becoming the first Black woman to play the tournament in 1951, and meeting Queen Elizabeth II in 1957 when she won.

The Harlem Globetrotters played their first game in 1927

Black players were not permitted on the existing professional basketball teams, but Abe Saperstein—the team's original coach, owner, manager, and sometimes player—leaned into the team's all-Black roster, nodding to New York's historically Black neighborhood even though the team didn't play there until the late 1960s.

'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.

Musician Gladys Bentley defied gender norms during the Harlem Renaissance and was openly gay, even though homosexuality was still widely considered taboo.

Women were prohibited from the Boston Marathon, so Bobbi Gibb snuck in

Race directors assumed women could not handle the physical demands of the race. In 1966, Bobbi Gibb hid in the bushes near the starting line, then hopped in the race after it began, and became the first woman to finish the Boston Marathon, albeit unofficially.

A Nantucket woman helped build Macy’s

Margaret Getchell, an early Macy’s superintendent, was among the first female executives in the American retail industry. Getchell (who was distantly related to Macy’s founder RH Macy, although it’s unclear if the pair knew that when she was hired) helped shape Macy's as an early employee.

Grace Hopper won the Data Processing Management Association's 'Man of the Year' award

The inaugural recipient of the award—symbolic of the male-dominated nature of computer science—was honored in 1969 for her contributions to the development of COBOL and the first compiler. Hopper would also become the first woman from any country and the first American to be recognized as a Distinguished Fellow of the British Computer Society.

Jackie "Moms" Mabley was the first woman to headline solo at the Apollo Theater

The comic's act was based on a classic archetype: the fed-up mother who was going to tell it to you straight. She perfected her craft on the Chitlin Circuit, where she became a cultural icon in the Black community, and then had significant mainstream success starting in the 1960s.

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

Roosevelt resigned from a prominent women's organization after it barred a Black singer from performing

When the Daughters of the American Revolution refused to allow Marian Anderson to perform at their Washington hall in 1939 because she was Black, Roosevelt publicly cut ties with the group. She worked to arrange an alternative outdoor concert for Anderson at the Lincoln Memorial, which drew a crowd of 75,000.

Few realized Connee Boswell used a wheelchair

The original American girl group, the Boswell Sisters, toyed with jazz standards by experimenting with challenging renditions. The group became a popular radio act during the 1920s and 1930s, with few of their fans aware that group leader Connee Boswell used a wheelchair.

Women were barred from MBA enrollment for half a century

In 1908, Harvard launched the first modern MBA—and only admitted male candidates. The first full-year traditional female MBA students wouldn’t enroll at Harvard until 1963. Learn more about the history of the first women to receive their MBAs on Harvard’s website.

Kathrine Switzer was the first official female finisher in the Boston Marathon

A year after Bobbi Gibb’s unofficial finish, Kathrine Switzer registered under an androgynous name to avoid suspicion. Race officials unsuccessfully tried to remove her from the race while she was competing (pictured below), but she ultimately became the first woman to officially finish the race. In 1972, the Boston Marathon changed its rules to allow women to register.

The NAACP encouraged and accommodated the early Harlem Renaissance

The National Association for the Advancement of Colored People, a civil rights organization better known as the NAACP, recognized the disenchantment Black soldiers who served in World War I experienced when returning home to a segregated country and began advancing, and, in many ways, funding a "New Negro Movement," which would lead to the Harlem Renaissance.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Watch Billie Holiday's screen debut in 1935's 'Symphony in Black'

The singer appeared alongside Duke Ellington in Paramount's "Symphony in Black," a musical short released by Paramount Pictures in September 1935, when Holiday was just 20 years old.

The All-American Red Heads were the first pro women's team

Formed in 1936, the barnstorming team played more than 200 games a year around the country. Much like the Harlem Globetrotters, the Red Heads combined basketball and comedy.

Hughes’ ‘Harlem’ inspired Lorraine Hansberry’s ‘A Raisin in the Sun’

Hughes' 11-line poem from “Montage of a Dream Deferred” is one of the most recognizable verses in American literature. Part of that is due to its legacy as the inspiration for the title of Lorraine Hansberry’s landmark 1959 play “A Raisin in the Sun,” the first show written by a Black woman to appear on Broadway.

A trailblazing member of Congress was inspired to champion Title IX because of her own experiences

Patsy T. Mink (D-HI) was the first woman of color in Congress and one of the law’s biggest proponents. Before elected office, Mink was rejected from 20 medical schools because of her gender. She went on to law school instead, but still faced discrimination after graduation when she was turned down jobs because she was a married woman.

The 'Problem We All Live With' was based on Ruby Bridges

The 1964 painting was based on Ruby Bridges, the first Black student to integrate an all-white school in Louisiana. Rockwell used Anita Gunn, the granddaughter of one of his friends, as the model, offering to pay for her violin lessons for her assistance.

The Great Migration helped transform Harlem into the epicenter of Black culture

Starting in 1910, millions of Black Americans moved from the South to escape segregation, violence, and dismal work opportunities. They moved to urban areas in the North, Midwest, and West. Chief among them was Manhattan's Harlem neighborhood, which became an especially desirable location for Black people around 1910.

Richard Allen founded the African Methodist Episcopal Church in 1794 after he was pulled from his knees during prayer

Born into slavery, Richard Allen left St. George's Methodist Episcopal Church when he and other Black congregants faced segregation and discrimination. He then established Bethel AME Church, which became the first congregation of one of the oldest and largest Black denominations in the world.

For years, Black players were tacitly banned from professional football leagues

In 1902, Charles Follis was the first Black player to play in a professional football game, and Black players were allowed in years after other leagues banned them. A "gentleman’s agreement” led to the league banning Black players in 1933, until four Black men reintegrated pro football in 1946.

Jane Maas was one of the first prominent female ad executives on Madison Avenue

Jane Maas started as a copywriter at the advertising agency Ogilvy & Mather in 1964. She’s known for working on the famous "I Heart NY" tourism campaign alongside artist Milton Glaser. This interview provides a glimpse into what life was like for women like her on Madison Avenue.

How one Texas Western team changed college hoops

Texas Western, featuring college basketball's first all-Black starting five, stunned No. 1 Kentucky in 1966. Coach Don Haskins shrugged off the issue of race, but he received 40,000 pieces of hate mail after the game. This in-depth history relives the Miners' speed-driven triumph, their snub from Ed Sullivan, and a quiet revolution that sparked integration across the South's courts.

Sylvia Robinson is considered ‘the Godmother of Hip-Hop’

While hip-hop was soundtracking countless parties in the early ‘70s, Robinson saw the music’s potential. She began writing, producing, and releasing some of the music’s earliest singles through her Sugar Hill Records label and helped build a place in the music industry for the young music. Robinson’s groundbreaking work led to a 2022 induction into the Rock and Roll Hall of Fame.

Analyzing Billie Holiday's impact on American poetry

Although Holiday is sometimes associated with the Harlem Renaissance, the Black cultural movement of the 1920s and '30s, scholar Whit Frazier Peterson argues that her real impact in poetry was on the Black Arts Movement, the more radical Black literary movement of the '60s and '70s that featured writers like Amiri Baraka, Sonia Sanchez, and Nikki Giovanni.

The Zulu krewe dons black face paint, but says it's not blackface

The majority Black organization was founded in the early 1900s, when Mardi Gras was still segregated. They painted their faces black, both to comply with the Mardi Gras rule requiring masks and to reenact a vaudeville sketch. In recent years, their facepaint has been criticized by some as a form of Jim Crow minstrelsy.