The first line of 'The Stranger' is one of literature's most famous openings

A Camus scholar believes 'The Stranger' is often misread as a role model

The writer and philosopher Jonathan Rée notes that part of the reason why the book was so popular was that it was an easy pick for students learning French to translate. What's often lost in translation, though, is that the book's narrator, Meursault, who murders a man, is not intended to be a role model.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

A 2015 Algerian novel reconsiders Camus' 'The Stranger'

Kamel Daoud's "The Meursault Investigation" exists in the same universe as Camus' famous novel, but it expands the world to imagine the story from the Arab Algerian perspective, showing the impact its main character's actions had on real people. Rather than focusing on the existential awakening of one man, it considers the longtail impact of colonialism in Algeria.

An existentialist reading list

If you’re looking for a starting point for diving into existentialist thought, this is a great resource. Its titles are not exactly obscure—Albert Camus’ “The Stranger,” Franz Kafka’s “The Trial,” and Søren Kierkegaard’s “Either/Or” are among the most famous works in Western literature—but the list provides some digestible context for each text, which will help you decide the best place to begin your journey.

Kamel Daoud's 'The Meursault Investigation' earned him a fatwa

Although the novel was read by many as a criticism of Camus' "The Stranger" and French colonialism in Algeria, it was also read by some as blasphemous. In December 2014, a member of the Islamic Awakening Front, a militant Islamist group, said the book "placed the Koran in doubt, along with the sanctity of Islam" and called for Daoud's execution.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

Camus grew up in poverty

Albert Camus' father died when he was less than a year old, leaving his mother, a cleaning woman, and his grandmother to raise him in a poor neighborhood of Belcourt (now Belouizdad). It was an experience he'd reflect on in his unfinished autobiographical novel, "The First Man."

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Camus' books are largely ignored in Algerian schools

The writer was born in Algiers, wrote fondly of his home, and is perhaps the most well-known Algerian-born writer of all time, but his works are no longer taught. In 2010, a series of events to commemorate the 50th anniversary of his death was not permitted by the authorities. Scholars say that's because Camus believed the North African country should remain a French colony; after it gained independence in 1962, Camus' work fell out of fashion.

An early short story by Ray Bradbury was plucked from an open submission call by 'In Cold Blood' author Truman Capote, who believed he'd found a significant voice.

Camus contracted tuberculosis as a teenager

There was still little understanding of treatment for the disease at the time; for most people, a tuberculosis diagnosis was a death sentence. The 17-year-old Camus was quarantined in his uncle's house, where he grew into an avid reader. Scholars note that the experience would inform his later work, including his 1947 novel "The Plague."

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

Camus won the Nobel Prize in literature in 1957 for his philosophical essays and fiction

The philosopher and novelist was one of the youngest writers to win the award, at just 44. In his acceptance speech, he spoke on the role of an artist in a world that seemed increasingly bleak. "Each generation doubtless feels called upon to reform the world," he said. "Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself."

During the COVID-19 pandemic, readers returned to Camus' 'The Plague'

The 1947 novel, about a city in Algeria that enacts a city-wide quarantine to battle a deadly outbreak, captured readers' attention in the early months of 2020. In the UK, over 2,000 copies of the book were sold in March of that year, over six times what it had sold the month before.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

Translations of 'The Odyssey' can differ greatly, with translators often focusing on different aspects of its language.

The earliest novelistic writing about a real-life murder might be an 1875 essay by poet Celia Thaxter

Though the nonfiction novel "In Cold Blood" is often cited as the beginning of the true crime genre, records show that true crime narratives were woven for decades before the novel's 1965 serialization. In "A Memorable Murder," Thaxter recounts the slaughter of her neighboring New England islanders.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

The opening chapters of bestselling novels are thousands of words shorter than they were in the 1950s

Novels like "The Catcher in the Rye" and "Lord of the Flies" averaged opening chapters with about 4,500 words. Titles from the 2020s, on the other hand, including "Fourth Wing" and "Lessons in Chemistry," are closer to 2,500 words.

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

The oft-cited roots of the true crime genre

The 1966 book "In Cold Blood" by American author Truman Capote is often considered the beginning of true crime as it's known today. The story details the real-life murders of a family of four in Holcomb, Kansas, using techniques that, at the time, were relegated to fictional tales. Before it was a book, the narrative was published by The New Yorker in 1965 as a four-part series. 

Camus credited a teacher with his success

After winning the Nobel Prize in literature in 1957, Camus wrote a letter to Louis Germain, his former teacher, thanking the man for "the affectionate hand" he extended to Camus as a student. In the short note, he'd go on to write, "without your teaching and example, none of all this would have happened."

Although not known for horror, a young Tennessee Williams wrote a gothic radio play

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

Camus was born in Algeria, but was considered French

French Algeria was segregated between Arabs and "pieds-noirs," which was then a derogatory name for the million-plus Europeans living in the North African country. Camus was one of the latter, and throughout his life, he argued for political rights for Arabs while also believing the country should remain part of France. Pieds-noirs largely fled the country after it gained independence in 1962.

'Don Quixote' is often called the first 'modern novel' because of its aesthetics

Miguel de Cervantes’ “Don Quixote,” published in the early 17th century, isn’t the first long-form prose narrative. Still, many critics consider it the first “modern novel” because of its structure, approach to narration, and commentary on literature itself.

Camus and Sartre had a public falling out over communism

The two were close friends, sometimes collaborating throughout the 1940s, but the release of Camus' 1951 book, "The Rebel," led to a schism over differing views on communism.

Classifying the 'first novel' is tricky

The question of what counts as the "first novel" doesn't have a simple answer. This explainer looks at early contenders—from ancient Roman satire to Japan's "Tale of Genji"—and how different cultures shaped the rise of long-form fiction.

Camus died in a car crash, an act some believe was orchestrated by the KGB.

The man behind the dark novel abandoned on the floor of the Bastille

As tensions rose in the days before the French Revolution of 1789, Donatien Alphonse François attempted to fan the flames by shouting at passersby about false horrors happening inside the Bastille where he was imprisoned. This 39-minute podcast...

Jean-Paul Sartre worked on 'Being and Nothingness' while a prisoner of war

The Nazis invaded France in May 1940. Sartre, as a member of the French Army, was taken prisoner that June. While he was in captivity, he studied Martin Heidegger and worked on "Being and Nothingness," one of his most famous philosophical works.

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

A beginner's guide to the books of John Steinbeck, one of America's great novelists.

Novels sometimes use unreliable narrators

When we read a book, we’re effectively forced to take the narrator’s word for what’s unfolding. But what if that narrator has a biased take on those events? What if, in a general sense, that narrator can’t be trusted? Enter the unreliable narrator, a strategic way of shaping a story that adds an additional layer to the narrative.

The first ‘Harry Potter’ book was retitled for US readers

Scholastic changed "Harry Potter and the Philosopher’s Stone" to "Sorcerer’s Stone" in 1998, fearing the original title sounded too academic and might confuse American readers unfamiliar with the word’s magical meaning.

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

Before he was a famous novelist, John Steinbeck wrote a werewolf murder mystery.

Jackson's 'The Lottery' inspired a trove of angry letters to The New Yorker

The writer's short story "The Lottery" is widely taught in American schools and with good reason—it's a masterful and horrifying story about the dangers of blind tradition. After its initial publication in The New Yorker, 150 readers wrote letters calling the story "outrageous," "gruesome," and "utterly pointless." Listen to a reading of the story below and a discussion of why it provoked such outraged responses.

George Orwell's original preface to 'Animal Farm' criticized the publishers who had rejected the book for political reasons.

Sartre spent his time in the French Army working on a novel

The writer's physical limitations (including partial blindness and balance issues) prohibited him from serving on the front lines. Instead, he worked as a military meteorologist. The job was not very demanding, so he spent most of his time writing. He told Simone de Beauvoir it was "extremely peaceful work; indeed I cannot think of any branch of the services that has a quieter, more poetic job."

A beginner's guide to Toni Morrison

The legendary American writer died in 2019, but her fiction is still as relevant as ever. This primer walks aspiring Morrison fans through her body of work, outlining the ideal starting point for several different kinds of readers. (Some readers may experience a paywall.)

JD Salinger served in World War II while working on a draft of his most famous novel, 'The Catcher in the Rye.'

'I am a writer who came from a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.'

- American novelist Eudora Welty (1909-2001)

Orwell warned readers about how abuse of language can lead to dystopias

In his 1946 essay "Politics and the English Language," Orwell argues that language is the primary tool of political control and is "designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." The essay warns readers that how they use and consume language will dictate what they permit—or prohibit—in society.

Many writers considered 'existentialist' didn't identify with the term

“Existentialism” was first introduced in 1943 by philosopher Gabriel Marcel. Jean-Paul Sartre and Simone de Beauvoir readily adopted the term, but others, such as Albert Camus and Martin Heidegger, rejected it. Earlier philosophers, like Søren Kierkegaard and Friedrich Nietzsche, were long dead by the time the word was in vogue.