Gonzo Journalism places the author at the center of the events

‘The Kentucky Derby Is Decadent and Depraved’ signaled the birth of Gonzo Journalism

The 1970 essay opens with a crude conversation between Hunter S. Thompson, the author, and a man at an airport bar. Thompson’s first-person account places him as an active participant. Instead of focusing on the race itself, Thompson paints vivid details of his experience with the hedonistic scene surrounding it.

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

One journalist argued New Journalism writers prioritized ego over public service

Michael J. Arlen wrote a critique of the then-fashionable and popular form for The Atlantic in 1972, warning about the risk of emphasizing a writer’s perspective over facts. While Arlen applauded the innovation of the style, he believed focusing on voice and perspective could be irresponsible.

Critics of New Journalism believe the form shares unreliable information

After Gay Talese’s 2016 book on Gerald Foos was found to lack factual accuracy, criticism of New Journalism returned to the limelight. Some believe the narrative focus requires abandoning the facts and leaves too much room for writers to make up material rather than present what actually happened.

Gay Talese never fully accepted the title ‘New Journalism’

“I don't think it was new, and I don’t think it was journalism,” he said. He instead viewed what he and other writers were doing as defining reality using a storytelling technique. In other words, storytelling that wasn’t fiction.

Olivia Nuzzi serves as a modern example of New Journalism

Writer Lily Isaacs argues that Nuzzi, a political journalist known for engaging in personal relationships with her subjects, can be viewed as an inheritor of New Journalism. Isaacs claims Nuzzi’s departure from purely objective reporting has informed her profiles, leading to intimate insights into her subjects' psychology.

'Shipping Out' can be viewed as a more recent example of subjective journalism

Later retitled "A Supposedly Fun Thing I'll Never Do Again," Wallace's essay details his existential experience on a cruise ship with biting wit. Arguably more Gonzo than New Journalism, Wallace laments the pressure to have fun in the commercialized cruise atmosphere that brings out feelings of dread more than pleasure.

Writer Gay Talese has unorthodox practices for researching his stories

Since Talese began working at the New York Times in the 1950s, he has woven eccentric details into his stories about the people he covers. His immersive journalistic methods, such as living in a nudist colony, sparked controversy, but also helped him uncover aspects of people's lives.

Journalism's real drama made 'All the President's Men' irresistible for Robert Redford

Robert Redford was drawn to Watergate not by Nixon, but by the partnership of two contrasting journalists—Woodward and Bernstein. In the interview, he explains how he shaped the film's documentary style to spotlight the story rather than the scandal.

'Frank Sinatra Has a Cold' is one of the seminal works of New Journalism

The profile broke with convention by focusing on the story of pursuing the story rather than one that celebrated the subject. Vanity Fair called it "the greatest literary-nonfiction story of the 20th century." (Some users may experience a paywall.)

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Actors on 'All the President's Men' immersed themselves in real-world reporting

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

Joseph Pulitzer mainstreamed yellow journalism

One way Joseph Pulitzer revolutionized the newspaper industry was by developing an approach to reporting that relied on sensationalism and could be a little loose with the facts. Pulitzer and rival William Randolph Hearst pushed that sensationalism to the next level in their competition to attract readers.

‘Dispatches’ by Michael Herr pushed the boundaries of war journalism

Straying from the typical protocol of reporting casualties and soldiers' whereabouts, Herr reported about the Vietnam War from the field while emphasizing its surreal and tragic nature. His account detailed the experiences of soldiers, while also expressing uncertainty about the meaning of the war.

Joseph Pulitzer created modern journalism

Long before there was cable news, there were newspapers, and Joseph Pulitzer was their king. A Hungarian immigrant, Pulitzer began his career as a reporter himself before buying a newspaper that he could shape with his editorial vision. Pulitzer's papers were bold, provocative, and visually striking, setting a new standard for newspapers nationwide as they moved into the 20th century.

John Hersey’s ‘Hiroshima’ focused on the stories of atomic bomb victims

The nonfiction book is considered one of the earliest pieces of New Journalism and an arresting case against nuclear warfare. Describing the pain, wounds and trauma of six ordinary citizens, “Hiroshima” played a powerful role in American perception of the war by focusing on its human toll.

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Gay Talese ran up expenses close to $5,000 to pursue ‘Frank Sinatra Has a Cold’

In this retrospective, Talese reflects on the making of the legendary article that pioneered a new literary style. He offers his critiques of the modern state of profiles, arguing the industry no longer produces compelling work.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Beats emphasized the importance of 'spontaneous prose'

Beat writer Jack Kerouac believed literature should aim to be more like jazz, using improvisation to burrow down to the root of the subconscious. In this video from the University of Pennsylvania’s Modern and Contemporary Poetry course, Professor Al Filreis directs a conversation of Kerouac’s manifesto, “Essential of Spontaneous Prose.”

Gay Talese's 1966 Frank Sinatra profile was written without an interview with Sinatra

After numerous rejections from Sinatra, Esquire, and writer Gay Talese continued to pursue the profile, gathering information from observing Sinatra and interviewing friends and fans of his. Readers (and future writers) admired the way Talese captured the many layers of Sinatra’s personality from his generosity to his short temper.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

George Orwell, avid outdoorsman

The writer is often pigeonholed as either a cranky paranoiac or a self-righteous scold, but this essay by Danny Heitman explores a lesser-known side of Orwell's personality: his love for nature, something that's subtly expressed in some of his greatest works.

How a Seattle scenester pranked The New York Times with ridiculous grunge 'slang'

In 1992, The New York Times was eager to report on the grunge phenomenon. When a Times reporter called Megan Jasper, who'd previously worked at Sub Pop, she decided to have some fun, feeding him a fake "Lexicon of Grunge."

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

Kurt Vonnegut sought to invert the 'shapes of stories'

Kurt Vonnegut is among the most popular postmodernists, renowned for his humor and willingness to move between genres. This clip from a lecture on narrative is a perfect example of those tendencies, with Vonnegut diagramming typical story structures only to mock their predictability. It's not only an enlightening look at the way stories are told—it's also just good comedy.

Joan Didion interviewed The Grateful Dead in 1967, before they became music icons.

Hunter S. Thompson’s ‘Hell’s Angels’ gave inside look at a notorious motorcycle gang

What began as an article turned into roughly two years of Thompson’s life spent riding with the infamous Californian gang. By absorbing himself in their lifestyle, he gave the American public a look into their partying, drinking and violence.

A quote by broadcast legend Walter Cronkite

"In seeking truth you have to get both sides of a story."

How the New Yorker went from poker game to powerhouse

After 100 years in print, the New Yorker is still going strong, publishing weekly issues featuring the best in long-form journalism, cultural criticism, and short fiction. This history of the magazine's founding and early years shows how its balance of high and lowbrow culture, along with a fortuitous game of poker, led to its longstanding success.

The Beat Generation, explained

The Beat Generation challenged societal norms in the 1950s by embracing experimental writing and tackling taboo topics like drug use, spirituality, and nonconformity. Figures like Allen Ginsberg, Jack Kerouac, and Diane di Prima sparked a cultural movement that rejected traditional literary forms and explored the hidden struggles of American life.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

Joan Didion's 1967 'Slouching Towards Bethlehem' laid the hippie counterculture bare

Didion wrote a detailed account of living alongside hippies in San Francisco's Haight Ashbury area in the 1960s. Beyond their style and politics, Didion uncovered chaos, with one particularly shocking interview of a 5-year-old on LSD. Her stories challenged the movement's message of freedom and utopia in California.

Googie architecture, a cousin of mid-century modernism, was a popular style for American roadside attractions.

Francis Ford Coppola began working on 'The Godfather' to bail his production company out of dire financial straits.

What it's like to win a Pulitzer

Four Pulitzer Prize winners share how winning the award has impacted their lives and journalism careers. The high-profile nature of the award tends to legitimize the author and grant them better access to jobs and opportunities, but it can also increase pressure on the writer to meet the same standard of their award-winning journalism.

Gypsy Boots was a proto-hippie and health food entrepreneur

The Southern Californian was an eccentric businessman who opened several health food businesses, wrote books on healthy living, and frequently appeared on late-night television, including 28 appearances on “The Steve Allen Show.” He’d also attend Los Angeles area football games and chant “Don’t panic, go organic.”

Gutai, a Japanese form of performance art, used the body as a canvas, anticipating the Westernized version of the art form by several decades.

Novels sometimes use unreliable narrators

When we read a book, we’re effectively forced to take the narrator’s word for what’s unfolding. But what if that narrator has a biased take on those events? What if, in a general sense, that narrator can’t be trusted? Enter the unreliable narrator, a strategic way of shaping a story that adds an additional layer to the narrative.

In 1957, a vice president at JPMorgan became an outspoken evangelist for psychedelic mushrooms.

A writer's reflection on 'The Falling Man' - the man who fell from the World Trade Center

In an excerpt from his ‘Press Box’ interview with Bryan Curtis, writer Tom Junod discusses his Esquire story about the image of a man who fell or jumped from the North Tower on Sept. 11, 2001.

A deep dive into Bob Dylan's 'memoir'

Bob Dylan's "Chronicles: Volume One" is part memoir and part novel, a book that intentionally blurs the line between Dylan's factual biography and the self-mythologizing he's done for over six decades in the public eye. This podcast walks listeners through the book, treating Dylan less like an artist and more like a thought leader.

In 1969, a group of reporters wrote an intentionally bad and salacious novel under a pen name to prove that sex sells more than quality. It sold 20,000 copies within a few months and spent 13 weeks on the New York Times Bestseller list.

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

Watch a conservative icon interview Allen Ginsberg, a figurehead of the Beat Generation.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

'The grotesque' describes a feature of Gothic literature

The term harkens back to decorative aspects of Gothic architecture, including mythical creatures like gargoyles. In literature, the grotesque describes similarly monstrous characters and situations.

Read George Orwell's essay 'Why I Write,' the writer's memoir on how he came to literature.

A Guardian writer turned midlife chess slump into an obsession

Journalist Stephen Moss embarked on a chess self-improvement journey described in "The Guardian." Not a how-to, but a reflection on loss, drive, and whether mastering chess can mean mastering oneself.