'Shipping Out' can be viewed as a more recent example of subjective journalism

Gonzo Journalism places the author at the center of the events

Some may describe Gonzo as a more daring style of subjective reporting than New Journalism, as it prioritizes the personal experience and opinions of the writer. Gonzo pieces also tend to feature hyperbole, comedy and taboo subjects.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

‘The Kentucky Derby Is Decadent and Depraved’ signaled the birth of Gonzo Journalism

The 1970 essay opens with a crude conversation between Hunter S. Thompson, the author, and a man at an airport bar. Thompson’s first-person account places him as an active participant. Instead of focusing on the race itself, Thompson paints vivid details of his experience with the hedonistic scene surrounding it.

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

One journalist argued New Journalism writers prioritized ego over public service

Michael J. Arlen wrote a critique of the then-fashionable and popular form for The Atlantic in 1972, warning about the risk of emphasizing a writer’s perspective over facts. While Arlen applauded the innovation of the style, he believed focusing on voice and perspective could be irresponsible.

'Frank Sinatra Has a Cold' is one of the seminal works of New Journalism

The profile broke with convention by focusing on the story of pursuing the story rather than one that celebrated the subject. Vanity Fair called it "the greatest literary-nonfiction story of the 20th century." (Some users may experience a paywall.)

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

Gay Talese never fully accepted the title ‘New Journalism’

“I don't think it was new, and I don’t think it was journalism,” he said. He instead viewed what he and other writers were doing as defining reality using a storytelling technique. In other words, storytelling that wasn’t fiction.

Gay Talese ran up expenses close to $5,000 to pursue ‘Frank Sinatra Has a Cold’

In this retrospective, Talese reflects on the making of the legendary article that pioneered a new literary style. He offers his critiques of the modern state of profiles, arguing the industry no longer produces compelling work.

Critics of New Journalism believe the form shares unreliable information

After Gay Talese’s 2016 book on Gerald Foos was found to lack factual accuracy, criticism of New Journalism returned to the limelight. Some believe the narrative focus requires abandoning the facts and leaves too much room for writers to make up material rather than present what actually happened.

How a Seattle scenester pranked The New York Times with ridiculous grunge 'slang'

In 1992, The New York Times was eager to report on the grunge phenomenon. When a Times reporter called Megan Jasper, who'd previously worked at Sub Pop, she decided to have some fun, feeding him a fake "Lexicon of Grunge."

‘Dispatches’ by Michael Herr pushed the boundaries of war journalism

Straying from the typical protocol of reporting casualties and soldiers' whereabouts, Herr reported about the Vietnam War from the field while emphasizing its surreal and tragic nature. His account detailed the experiences of soldiers, while also expressing uncertainty about the meaning of the war.

Joan Didion's 1967 'Slouching Towards Bethlehem' laid the hippie counterculture bare

Didion wrote a detailed account of living alongside hippies in San Francisco's Haight Ashbury area in the 1960s. Beyond their style and politics, Didion uncovered chaos, with one particularly shocking interview of a 5-year-old on LSD. Her stories challenged the movement's message of freedom and utopia in California.

Kurt Vonnegut's satire embraced dark humor

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”

Terrible performance art: an insider's perspective

David Sedaris may be known for his writing now, but when he was in college, he thought his future was in the art world. Specifically, the performance art world. In this episode of NPR’s This American Life, Sedaris shares a selection of moments from his career as an artist, each more embarrassing than the last. The kicker? Being heckled from the audience—by his own father.

In 1922, Zelda Fitzgerald was commissioned to write a satirical review of her husband's latest novel

The review of "The Beautiful and the Damned" might have been comedic, but it was also illuminating, allowing Zelda to acknowledge her husband's tendency to use material from her diaries in his fiction and interrogate the way female characters were often portrayed in novels written by men.

Watch a 1965 press conference with Bob Dylan where he mocks the media's focus on celebrity.

David Foster Wallace admired Stephen King's writing

David Foster Wallace was one of the most acclaimed American writers of the 1990s and early 2000s, releasing dense, philosophically informed works of literary fiction. When the syllabus for an undergraduate literature course he taught surfaced through his archives at the University of Texas, many of his fans were surprised to find it included so much supposedly commercial fiction, including Stephen King's "Carrie." Below are his annotations on two pages of the novel.

Writer Gay Talese has unorthodox practices for researching his stories

Since Talese began working at the New York Times in the 1950s, he has woven eccentric details into his stories about the people he covers. His immersive journalistic methods, such as living in a nudist colony, sparked controversy, but also helped him uncover aspects of people's lives.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

The case that willfully being 'cringe' can be antisocial

While noting the prevalence of "cringe" in recent media discourse, the author argues that willfully engaging in cringe behaviors—an overzealous earnestness or awkward rupture of social norms, in many cases—is selfish and forces others to experience discomfort. The essay offers an interesting meditation on how artists often explore cringe as a concept to critique social norms, while others who encourage people to "embrace cringe" are promoting individual freedom over relational harmony.

A Guardian writer turned midlife chess slump into an obsession

Journalist Stephen Moss embarked on a chess self-improvement journey described in "The Guardian." Not a how-to, but a reflection on loss, drive, and whether mastering chess can mean mastering oneself.

Mark Twain was one of the first writers to cover surfing.

Ginsberg's 'Howl' portrayed people outside the American mainstream

The poem’s portraits of people on society's fringes—including vivid descriptions of drug use, psychiatric wards, and homosexuality—led to its seizure by US Customs agents and the arrest of its publisher Ferlinghetti. The American Civil Liberties Union defended both in a landmark trial that ruled the book was not obscene.

On one sailor's race to sail around the world solo

People wanting to sail around the world in modern times can sign up for the Golden Globe Race, a decades-old, organized sprint to circumnavigate the world by ship. This long-form article follows one woman's journey as she attempted to complete the...

Fanfic can provide fans with wish fulfillment

Rather than complaining about a writer's decisions, fan fiction is interactive, providing the fandom with the opportunity to tell the story in the way they see fit. That's especially evident in "shipping," a popular fan fiction trope that's focused on the romantic pairing of characters who are not romantically involved in the source material.

In 2008, one writer demonstrated the fickle nature of wine reviews

Robin Goldstein submitted a fake restaurant to the well-respected Wine Spectator for a competition. He created a website for the fake Milan-based business, complete with a menu of wines the magazine itself had disparaged. That didn't stop Wine Spectator from naming Goldstein's ruse among that year's winners.

Watch Mike Wallace's fascinating interview with Salvador Dalí

In 1958, Salvador Dalí spoke in a TV interview with legendary journalist Mike Wallace about genius, the subconscious, weakness, old age, luxury, religion, and dreams, among a range of other topics. During this candid conversation, Dalí challenged American audiences to consider death and mortality. Watch the discussion here.

Why some writers believe there's a new romanticism

Journalist and novelist Ross Barkan argues that a crushing political system and alienating technology have led people to become more interested in the offline, analog world and the beauty of nature and emotion. In this essay, he defines this as "the new romanticism," and predicts it will come to define the culture of the 2020s.

Existential dread still informs popular comedies

Although the Theater of the Absurd was primarily a 20th-century trend, a similar kind of existentialist-minded comedy still exists in popular culture. Films like “Everything Everywhere All At Once” and television shows like “BoJack Horseman” tackle the same issues that existentialist thinkers like Sartre, Beauvoir, and Camus explored, transforming those profound questions into thought-provoking and crowd-pleasing works of comedy.

Author David Foster Wallace's 'This Is Water' speech provides guidance for adulthood.

Kurt Vonnegut sought to invert the 'shapes of stories'

Kurt Vonnegut is among the most popular postmodernists, renowned for his humor and willingness to move between genres. This clip from a lecture on narrative is a perfect example of those tendencies, with Vonnegut diagramming typical story structures only to mock their predictability. It's not only an enlightening look at the way stories are told—it's also just good comedy.

The nonfiction book that kick-started Orwell's career

1935's "The Road to Wigan Pier" was a piece of investigative journalism that explored how the impoverished were handling the Great Depression, known in England as "the Slump." Orwell divided the book into two parts: One that described the living conditions of the working poor, and the other that criticized middle-class socialists' ineffectiveness at helping them.

In 1969, a group of reporters wrote an intentionally bad and salacious novel under a pen name to prove that sex sells more than quality. It sold 20,000 copies within a few months and spent 13 weeks on the New York Times Bestseller list.

Olivia Nuzzi serves as a modern example of New Journalism

Writer Lily Isaacs argues that Nuzzi, a political journalist known for engaging in personal relationships with her subjects, can be viewed as an inheritor of New Journalism. Isaacs claims Nuzzi’s departure from purely objective reporting has informed her profiles, leading to intimate insights into her subjects' psychology.

A fascinating look at how a journalist spends 24 hours in the metaverse

A Wall Street Journal strapped on a VR headset for a full day. Here's what happened when she went to work meetings, hung out with new avatar friends and attended shows — all in the metaverse.

Whitman's view on slavery was informed by a trip to New Orleans

In 1848, Walt Whitman traveled with his brother to New Orleans to pursue a job opportunity at the Daily Crescent newspaper. While there, he witnessed firsthand the horrors of the slave trade, an experience that would inform the political and artistic projects that followed.

A writer's reflection on 'The Falling Man' - the man who fell from the World Trade Center

In an excerpt from his ‘Press Box’ interview with Bryan Curtis, writer Tom Junod discusses his Esquire story about the image of a man who fell or jumped from the North Tower on Sept. 11, 2001.

Gay Talese's 1966 Frank Sinatra profile was written without an interview with Sinatra

After numerous rejections from Sinatra, Esquire, and writer Gay Talese continued to pursue the profile, gathering information from observing Sinatra and interviewing friends and fans of his. Readers (and future writers) admired the way Talese captured the many layers of Sinatra’s personality from his generosity to his short temper.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Joan Didion interviewed The Grateful Dead in 1967, before they became music icons.

An archive of anonymous messages people wrote but never sent

The site invites users to submit unsent letters to people, pets, or moments, which are then published anonymously for strangers to read. Every post is moderated, and the design of the site—no likes or replies, just words—feels polished and somber.

A biker from Hell's Angels said Hunter S. Thompson's book about the group was mostly 'cheap trash'

Thompson's popular coverage of the motorcycle gang was not necessarily popular with the gang members themselves. In a bizarre and amusing TV interview from 1967, a biker is given the opportunity to confront Thompson about using the gang for profit, misrepresenting them, and failing to buy beer he promised them.

A deep dive into Bob Dylan's 'memoir'

Bob Dylan's "Chronicles: Volume One" is part memoir and part novel, a book that intentionally blurs the line between Dylan's factual biography and the self-mythologizing he's done for over six decades in the public eye. This podcast walks listeners through the book, treating Dylan less like an artist and more like a thought leader.

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

Experience what it was like to live during Watergate's unfolding scandal

Slate's "Slow Burn," hosted by Leon Neyfakh, revisits Watergate through archival audio and interviews, spotlighting overlooked figures, vividly depicting the scandal's slow escalation, and drawing parallels to today's political climate.

Joaquin Phoenix's bizarre 2009 interview on Letterman was part of an elaborate performance

The actor appeared humorless and pouty in the late-night appearance. Host Dave Letterman seemed put off by his guest's behavior, but poked fun at him throughout the interview. Phoenix later returned and revealed he was playing a part in a mockumentary called "I’m Still Here," which satirized celebrity culture.